Pg 113 Waking Up from the Nightmare of Participation

“…the specific openness or porosity of contemporary art for instance has functioned as a weird kind of hosting system: as a kind of asylum for various cultural forms and encounters apparently impossible elsewhere.”

— from Michael Hirsch’s Professional Amateurs, Outsiders, Intruders – On the Utopia of Transdisciplinary Work in the Cultural Field in “Waking up from the Nightmare of Participation”.

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