Next week, I’ll be heading over to Detroit to join a panel discussion hosted by rogueHAA entitled, Defiance: Obedient Design. They’ve been doing a lot of great programming over the last year or so, and here’s some more information:
As part of the Detroit Design Festival presented by the Detroit Creative Corridor Center, rogueHAA is pleased to announce the third event in its 2011/2012 series: PROVOCATIONS: Challenging Detroit’s Design Discourse. This bi-monthly lecture series began in June and will continue through the end of 2012. Each panel discussion will invite local, regional, and national figures to discuss what makes Detroit provocative. Set in a variety of under-utilized, contested, and historically charged spaces throughout our city, each event seeks to challenge the participants through candid discourse and direct engagement of the built environment. It is the aim of each panel discussion to explore new urban strategies that promote social equity and advocacy. We believe good design (and good design discourse) is a proactive and critical act, toeing the line between conflict and resolution. While each event exists for only a moment, the entire series will provide a lasting catalogue of constructive dialogue, informing Detroit’s shared creative consciousness.
Event 03 DEFIANCE : Disobedient Design.
I’m quite excited to participate, if you’re in the neighbourhood, check it out on Tuesday, September 27th from 6-9pm, 2690 Wight Street.
I’ll be heading up to London, Ontario on Thursday, April 14 to speak on a panel with some incredible people as part of the Canadian Museum Association’s Annual Conference, appropriately titled, Evolve or Die!. I’m pumped to get to reconnect with Andrew Hunter and Andrew Lochhead, and to finally meet Yael Filipovic. Not familiar with these folks? You should be.
The Social, Political, and Local: The Power of Place
Moderator: Yael Filipovic, Foreman Art Gallery, Bishop’s University
Panelists:Andrew Hunter, Dodolab & Proboscis; Justin Langlois, Broken City Lab, Andrew Lochhead, Workers Arts and Heritage Center
Embracing new roles, forging new relationships, and charting new territory on the notion of place has proven to facilitate new kinds of relationships with communities that allow for increasingly socially responsible work within our institutions. Through a dialogue that explores the critical relationships, the panelists have taken with the notion of place, this discussion will engage in unpacking the politics at play in work engaged with local spaces, communities, and histories and how this plays a part in a broader role we may be asked to play as facilitators of social change at local and regional levels.
And, afterwards, we’ll be meeting with some folks in London who are working to make that city better — will be a great day!
Danielle and I will head to Portland State University this weekend to participate in Open Engagement, the conference that asks questions like, “Does socially engaged art have a responsibility to create public good? Can there be transdisciplinary approaches to contemporary art making that would contribute to issues such as urban planning and sustainability?”
We’ll be speaking on the panel, Group Work: The Collective Impetus, along with folks from National Bitter Melon Council, InCUBATE, and students from OTIS’s Public Practice program.
This trip is going to incredible for a few reasons (including getting to see the city of Portland, in all of it’s functionality), but perhaps more importantly, we’re going to be able to speak to a lot of people who are engaged in a practice that is at least slightly aligned to what we do here in BCL. It’s more often the case that we go to a conference as some of the only artists in attendance (an interesting position to be in, but always a little lonely).
There’s so many conversations we want to have, the 3 days we’re actually there likely won’t be enough.
In just a couple days, Danielle and I will be headed down to Lexington, Kentucky, where I’ll be presenting at this year’s Creative Cities Summit as part of the Using Art to Change Cities panel. The summit runs from April 7 – 9, 2010, I’ll be presenting on Friday, April 9th.
Here’s the panel description (good fit, no?):
Most cities support traditional notions of arts and culture, the symphony, opera, ballet and museums. Beyond those traditional bastions of culture there are artists and entrepreneurs that are actively using art to change their communities for the better. Public art is more than just the statue in front of the building and can be beautifully integrated into projects for startling results. Guerrilla art interventions, some legal, some illegal, can provoke dialog and action where before there was gridlock. And art can be used to change our very notions of fundamental things like healthcare and education to astounding results. This eclectic panel will attack this issue from their unique perspectives and is not the traditional arts and cultural conversation.
I’m so excited to get to be a part of this conversation and Danielle and I are both anxious to hear more about other cities and how they’re responding (or not) to the idea of becoming a creative city. Complex and holistic problem-solving seems to be at the foundation of what this conference wants to address — we’re hoping to learn a lot.
Did you make it to Detroit’s edition back in 2008?