Flagged For Review: Projecting Forward (Wish List) Projections on the Burrard Bridge

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Above: Caitlin and Lois exchanging answers to a series of fill-in-the-blank questions

We’re currently artists in residence at the Burrard Marina Field House, aka the Contemporary Art Gallery‘s Field House Studio and our work continues until the end of April.

Our four month project, Flagged for Review is based on imagining the symbolic and lived potential of a city. We’re wondering what we might expect from a city that could establish its policies, identity and politics around a range of challenging (or inspiring) values. This line of inquiry will inform our production a series of flags that will be installed in and around the Field House and throughout the city in the coming month(s).

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No Rights/No Wrongs: Nuit Blanche 2012

On September 29th 2012, we were lucky enough to be invited to Toronto for Nuit Blanche! Our installation site was on the face of the Gladstone Hotel right on Queen Street West. It was an amazing night.

It was the first time that we did a projection on a building so textured. This definitely allowed for some challenges in terms of how the text would look on a building surface that wasn’t flat and the result was pretty interesting.

Text in transition.

The combination of statements make up our “No Rights/No Wrongs” projection series. The texts are based off of back and forth conversations about opposing sides to an argument or statement, as well as some that are left for the viewer to fill in themselves.

Fill in the blank.

The projector and computer were set up inside my car.

The projector was set up just below my dash, and the projection shot right through the windshield, onto the Gladstone Hotel.

START WITHOUT AN END.

Joshua talking to some onlookers.

We’d like to say thank you to everyone at the Gladstone and in particular, Noa Bronstein,  for having us be a part of a great night!

 

 

The Weekend Here and Around the Province

It’s a busy weekend all over the place with an opening and a new project, culture days, and some great events hosted by dear friends of ours here in Windsor. Here’s the breakdown of what you might want to check out this weekend:

We’re back to North Bay for our opening of Surviving North Bay at White Water Gallery. After concluding our research micro-residency this past summer we returned to Windsor to brainstorm ways to address the concerns that residents of North Bay brought up about the city. The result: a series of survival kits designed to help North Bay face whatever the future the city has in store. Each red plastic kit contains useful and unique items to artfully solve local problems, and can be found on display in the Gallery for the next six weeks. There will be an opening reception on Friday at 7 pm.

In Toronto at Nuit Blanche on Saturday, we’ll be at the Gladstone for a new projection-based work – No Rights / No Wrongs, which will aim to highlight and articulate a series of indecisive statements on ideas of civic responsibility, community development, and political participation through large-scale projections on the side of the Gladstone.


 

Artcite Members and Friends!
Join Us this FRIDAY NIGHT, all Night @ THE LOOP
September 28, 2012 – 156 Chatham St. West (upper), Windsor, ON N9A 4M3

SHIRK  –  a DJ Night benefit for Artcite with DJs Sthephen Pender, Martin (Zonk) Deck, Matthew Hawtin and special guests

This Friday, 28 September, in the midst of Windsor’s Culture Days events, the Loop on Chatham Street is hosting a fundraiser for Artcite,
an event that kicks off our 30th anniversary celebrations. There will be three or four dj-s, including Martin ‘Zonk’ Deck, Matthew Hawtin, and Stephen Pender, plus a surpise guest or two.

The suggested donation is $4 at the door, which is deposited straight into Artcite’s coffers, and garners you a night of dub, techno, soul, Detroit funk, all good things.

Please spread the word, and support local artist-run culture.
Newest info here or on the Facebook event page: http://www.facebook.com/events/350784671680498


Art and Ecology Sidewalk Parade


12:00 – 3:00 on Saturday, September 29, 2012
parade route begins @ ACWR 1942 Wyandotte Street E. Windsor, ON

The Art and Ecology Sidewalk parade is a performance artwork lead by Dr. Jennifer Willet of the School for Arts and Creative Innovation. The parade will draw community members into discussion about art and ecology in the Windsor Area with all participants collaborating in the production of a whimsical spectacle involving music and rhythm (10 block walk in total). The event will commence at the Arts Council of Windsor & Region (ACWR) and conclude the Canada South Science City on Marion Street in Windsor, ON.

Join them – rain or shine
for more info about bioart research and other initiatives at uwindsor: www.incubatorartlab.com

100 Emergencies for North Bay (Projections in Downtown)

Thursday night, our last night in North Bay as part of our residency, we did a large-scale public projection as a kind of summary of our conversations, and as a bit of a starting point for where we see the exhibition going. Almost next door to the White Water Gallery is this huge blank wall — the perfect surface for projections.

Our old battery is starting to show its age — during a test earlier in the day, we only got about 30 minutes of useable power from it.

Earlier, testing the projector on battery power while compiling a list of emergencies, pulling from Wednesday night’s workshop.

To make up for the lack of available battery power, we ended up stringing together a bunch of extension cords (courtesy of Kathleen) to the White Water.

We had precompiled the list of 100 Emergencies for North Bay, so we used Keynote.

At dusk around 9pm, setting up the projector.

Danielle, tough and ready to guard the gear. We tried to wait out the lingering daylight for a while, as even with our 5200 lumens projector, the distance and sunset weren’t giving us the contrast we had hoped for inititally.

But, shortly thereafter, we begin … a list of 100 emergencies (invented, emerging, or already experienced) that shape North Bay and might articulate a way forward in thinking about the urgent things that shape the city and community.

Rosina documented with a ton of video — can’t wait to see it!

Danielle watched the gear and struck up conversations with passersby — and this is one of the best reasons to do this kind of work — it creates this really great entry point to conversations we wouldn’t have otherwise had.

As the projection wrapped up about an hour later, we did a few improved slides based on some conversations we had with folks passing by.

Our setup from the edge of the parking lot, on the sidewalk in downtown North Bay.

Quick changes / additions in Keynote.

Then turning our focus across the street for a few minutes.

We had a really great week in North Bay and we’re so excited to start working on the exhibition for September. Huge thanks to Clayton, Eric, Robyn and Kathleen at White Water, and to everyone who came out to our walk, workshops, or talked to us during the projection!

Walk-by Theatre: Bike Safety, the Psychology of Selling, and Leadership in the 1940s

Last night we hosted our first Walk-by Theatre screening. Featuring films pulled from the Prelinger archives, Danielle and I curated a program that touched on the aesthetics, values, and practices of 1940s/50s/60s American culture.

The built-in benches on Pelissier along with some chairs from our collection were perfect seating for the hour-long program. A number of other passersby stopped for a couple of minutes, while others stayed for the rest of the screening. A large sheet, our new projector, and some borrowed speakers made this a really simple process and I think it looked really great!

And, in case you missed it, here are the links to the films:

One Got Fat – Bicycle Safety (1963)

Man to Man – Salesmanship and psychology instruction for gun dealers (1947)

Hired! – Quirky Chevrolet sales film (1940)

We’ll be doing this nearly every Monday at 9pm for an hour-or-so. It’s free, and we have plenty of seating. There’s a parking garage right above the seating, and plenty of bike racks.

Halifax: Bikes, Projectors and Maquettes

I spent my Sunday afternoon trying to work through how the bike/projector project for Eye Level can function and look. I went to the dollar store and bought some pretty random supplies in the hopes of developing an awesome maquette.

At first, I started sketching some really rough drawings of what size this thing could be. My thinking thus far is that it should be no taller than the bike tire. If we do make it out of wood and load it with extension cords, it will be super heavy and hard to manoeuvre.

I think the way that this contraption straps on to the bike is really important as well. Bolts? I can’t really think of anything else. I wonder if it’s necessary for the strap to move? Or should it be static to give the bike more control on how the projector box moves?

I started building this maquette with weight in mind. My thinking is that if we build a really simple frame and then surround it with fabric or something, would that make it easier to push on a bike.

Close up. Yes, those are mini skateboard wheels. Dollarama is awesome.

Had a little fun with this one. But in all seriousness, canvas could be something cool to wrap it in. I like the DIY aesthetic of it.

The second maquette I made has more of a treasure chest feel to it. The top of it has a window that looks into the box, with a hole at the front for the projector to seep through.

These are just my thoughts! I know we’ll be able to work out more things when we start building tomorrow. I feel like this piece has a fair amount of flexibility so I’m not too worried about it not working out. I’m excited to start building!

 

 

Marcos Zotes’ CCTV / Creative Control

Marcos Zotes, an architect and artist living in New York, recently completed CCTV/Creative Control, an intervention consisting of the projection of “an over-sized eye onto the lower surface of the 10-storey-hight Milton Street water tower in Brooklyn, New York.” This particular tower is a very ideal fit for an oval-shaped projection and since it does not display any external lighting fixtures, allows the projection to take center stage.

About the water tower: “Still the highest point in the area, until it is dwarfed by new gentrification plans, the water tower exists as a relic of the neighbourhood’s industrial past. The intervention temporarily transforms this iconic landmark into a discernible CCTV tower, raising questions of private control over public space in the urban context. By intervening in the everyday order of contemporary urban life, CCTV/Creative Control aims at both producing moments of antagonism –however transitory, fragmentary or ephemeral– and finding new ways to practice the city, not simply as consumers but as creators.”

On a conceptual level, “CCTV/Creative Control seeks to question the oppressive mechanisms and discourses implemented in the city through the temporary appropriation of public space.” I find this project interesting in principal, but also because it was executed by an architect who probably looked at the water tower with a special kind of criticism.

Olaf Mooij – Braincar

The Braincar is a new mobile sculpture/multimedia project by artist Olaf Mooij. His general idea, inspired by his interest in our connection to automobiles, was to create an car that could capture images throughout its day travels and “dream” about them at night. By “dream”, he means modify or “remix” the images in some kind of random way. These images are then projected onto the underside of the brain sculpture.

In an attempt to understand the connection between our daily experience and that of our vehicles, Mooij questioned “what it would be like if instead the car itself could experience with a kind of consciousness its own passage through space and time.”

Via: Designboom

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ATTC Calgary: Projecting New Narratives of a City

Our work on ATTC Calgary with Truck Gallery’s CAMPER Urban Discovery project continued with a couple day’s break from events, allowing to focus on planning the remainder of our residency activities and starting work on our publication.

Tuesday night was our projection event around the edge of Central Memorial Park — an impeccably well-manicured green space in the middle of a downtown neighbourhood, and a welcomed surprise. A few logistical concerns aside (like having to connect seven extension cords to reach the edge of the park), we had a pretty ideal spot. A blank light-cemete wall always makes for a good projection screen.

The projections themselves were a series of text-based statements articulating of a set of narratives around Calgary that were originally based on the responses to our fill-in-the-blank statements and eventually moving on to real-time feedback and participation from those community members in attendance.

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City Counseling (Session #1)

Last night, in front of city hall, we had a conversation about the ways we want to shape our city.

In the midst of rising tensions around existing city services and new infrastructures, there seems to be a renewed wish for not just more public dialogue with the city, but a dialogue based on transparency and vision.

We haven’t been seeing that kind of dialogue, so we thought we might try to have our own.

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