Makerbot founder Bre Pettis and collaborator Kio Stark gave themselves exactly 20 minutes to create a manifesto encapsulating everything they knew about bring a creative vision to life. They called it The Done Manifesto.
Here’s the list:
There are three states of being. Not knowing, action and completion.
Accept that everything is a draft. It helps to get it done.
There is no editing stage.
Pretending you know what you’re doing is almost the same as knowing what you are doing, so just accept that you know what you’re doing even if you don’t and do it.
Banish procrastination. If you wait more than a week to get an idea done, abandon it.
The point of being done is not to finish but to get other things done.
Once you’re done you can throw it away.
Laugh at perfection. It’s boring and keeps you from being done.
People without dirty hands are wrong. Doing something makes you right.
Failure counts as done. So do mistakes.
Destruction is a variant of done.
If you have an idea and publish it on the internet, that counts as a ghost of done.
The incredible weather has me getting excited for the summer, and in the process, thinking back to our past couple of summers, and imaging the summer ahead. I recalled the city workers strike back in 2009 and it reminded me of the work of Mierle Laderman Ukeles, and I thought it was long past due that I post about her work.
From the description at the Ronald Feldman Gallery, Ukeles spent eleven months from mid-1979 to 1980 creating Touch Sanitation, a public performance art work. She crisscrossed New York City ten times to reach all fifty-nine sanitation districts to face, shake hands with and thank every sanitation worker for “keeping New York City alive.”
And as noted over at the Green Museum, Touch Sanitation was Ukeles’ first project as the city’s new artist-in-residence […] Ukeles traveled sections of New York City to shake the hands of over 8500 sanitation employees or “sanmen” during a year-long performance. She documented her activities on a map, meticulously recording her conversations with the workers.
At the conclusion of the performance she was made Honorary Deputy Commissioner of Sanitation and also Honorary Teamster Member of Local 831, United Sanitationmen’s Association, and I believe she’s been an artist in residence there ever since.
Also worth checking out — her Manifesto for Maintenance Art 1969. After child-birth in 1968, Ukeles became a mother/maintenance worker and fell out of the picture of the avant-garde. In a rage, she wrote the Manifesto for Maintenance Art 1969, applied equally to the home, all kinds of service work, the urban environment, and the sustenance of the earth itself. She viewed the Manifesto as “a world vision and a call for revolution for the workers of survival who could, if organized, reshape the world.”
This is the kind of work that makes me want to make more art.
Process is more important than outcome. When the outcome drives the process we will only ever go to where we’ve already been. If process drives outcome we may not know where we’re going, but we will know we want to be there.
Collaborate. The space between people working together is filled with conflict, friction, strife, exhilaration, delight, and vast creative potential.
Don’t enter awards competitions. Just don’t. It’s not good for you. (ha)
Take field trips. The bandwidth of the world is greater than that of your TV set, or the Internet, or even a totally immersive, interactive, dynamically rendered, object-oriented, real-time, computer graphic–simulated environment.
Power to the people. Play can only happen when people feel they have control over their lives. We can’t be free agents if we’re not free.