By Justin on March 11th, 2010, 1:35 pm 0 Comments

72 Hours is an audiovisual intervention comprised of a series of video projections evoking the personal histories of neighborhood residents, which will be seen through the building’s windows, and one unit will be opened to the public for a walk-through sound installation that evokes lives of former owners. You can see some of the projections above, as installed in a gallery.

The houses in question, clustered together in the space of a city block, are owned by Deutsche Bank and other international banks. During the Block Rebellion, demands will be made to immediately cease all no-fault post-foreclosure evictions and begin negotiations to sell back the vacant units at real value.

According to the artist, John Hulsey, “the projections serve as injunctions, insertions into contested areas of the city. Transforming private neighborhoods into public arenas for debate, the projections may create spaces in which dialogue can be breached.”

It’s an interesting project, makes me wonder about the possibilities for Grace Hospital – certainly, a different set of issues, but at the very least, this is an interesting example of highlighting contentious spaces.

[via Groundswell Collective]

Tagged: Boston context homes neighbourhood projection rebellion

By Justin on March 9th, 2010, 10:57 pm 3 Comments

Drawdio is a DIY music project by designer jay silver that let’s users draw the instrument of their choice on a piece of paper and play it with their finger.

While possible to use in a variety of  objects, when used with a pencil, the graphite acts as a circuit on the paper, transmitting the electric signal across the drawing to produce a different sound based on the specific form.

If you can get past the sort of hilarious / awkward editing in the video, it’s a very cool and simple design. It makes me curious about the potential for creating some kind of traceable sound-map, what sounds would Detroit’s streets make versus Windsor’s streets? What would happen if you added new roads or buildings — what sound could that make?

[via Designboom]

Tagged: audio context design DIY drawing paper sound Soundart

By Justin on March 5th, 2010, 9:45 pm 0 Comments

I’ve been collecting a bunch of great ideas lately, but haven’t had the time to post them, so I thought it was about time to get them up here, again as reference points, context, and markers for projects we’re hoping to do and general inspiration.

First off, an idea that Josh once imagined, in some fashion anyways, a green house made from recovered windshields.

Read the rest of this entry »

Tagged: architecture context design plant plastic bags recycle windshield

By Justin on February 22nd, 2010, 12:15 am 0 Comments

OurGoods, an online barter network, is running a pop-up storefront on the Lower East Side of Manhattan. That storefront is called Trade School and it’s a series of classes that centralizes the act of barter and exchange and a pop up classroom in New York City’s Lower East Side.

It works like this: “Take a class every night with a range of specialized teachers in exchange for basic items and services. Secure a spot in a Trade School class by meeting one of the teacher’s barter needs.”

We’ve written about this idea of informal education opportunities and spaces before and it remains a kind of long-term hope to see something like this get started in the area.

So, consider this just another post on the ongoing list of inspirational activities that we’d love to imagine having the time to pull off here in Windsor.

[via Eyebeam & PSFK]

Tagged: collaboration community context education pedagogy school

By Justin on January 31st, 2010, 1:00 pm 0 Comments

Fallen Fruit Collective formed six years ago through a project by artists David Burns, Matias Viegener, and Austin Young for the Journal of Aesthetics and Protest (ps. you should read it).

Using fruit as their lens, Fallen Fruit investigates urban space, ideas of neighborhood and new forms of located citizenship and community. A number of their projects look at the social, political, and ecological issues surrounding local food, public food, and land use, though it all began with the process of mapping local fruit trees in LA.

From their site…

“Over time our interests have expanded from mapping public fruit to include Public Fruit Jams in which we invite the citizens to bring homegrown or public fruit and join in communal jam-making; Nocturnal Fruit Forages, nighttime neighborhood fruit tours; Community Fruit Tree Plantings on the margins of private property and in community gardens; Public Fruit Park proposals in Hollywood, Los Feliz and downtown LA; and Neighborhood Infusions, taking the fruit found on one street and infusing it in alcohol to capture the spirit of the place.”

I really enjoy the social side of Fallen Fruit’s work. This communal jam-making being perhaps the most interesting, as it involves a kind of process that highlights interaction and time. As well, their consideration of the legalities and local community practices seem to be very balanced with the rather “nice” focus on fruit at the centre of their questions — a tactic in which I strongly believe. How much more productive of a conversation can you have about these issues when you’re (somewhat subversively) framing it around fruit?

[via Art 21]

Tagged: activist art collective context fruit LA

By Justin on January 29th, 2010, 9:35 am 0 Comments

kanarinka is a new media artist whose research interests include the politics of digital information, feminist performance art, participatory culture and the emotional landscape of Homeland Insecurity. She is Co-Founder of the non-profit collective iKatun, a founding member of the Institute for Infinitely Small Things, and teaches at RISD’s Digital+Media Graduate Program and the School of the Museum of Fine Arts in Boston.

In Spring 2007, kanarinka ran the entire evacuation route system in Boston and measured its distance in breaths. The project is an attempt to measure our post-9/11 collective fear in the individual breaths that it takes to traverse these new geographies of insecurity.

The $827,500 Boston emergency evacuation system was installed in 2006 to demonstrate the city’s preparedness for evacuating people in snowstorms, hurricanes, infrastructure failures, fires and/or terrorist attacks.

It takes 154,000 breaths to evacuate Boston consists of a series of running performances in public space (2007), a web podcast of breaths (2007), and a gallery installation of the archive of breaths (2008). There’s also an online collection of podcasts, with audio recordings made during each running performance.

The work is being shown as a part of Experimental Geography, an exhibition that explores the distinctions between geographical study and artistic experience of the earth. I picked up the book from this traveling exhibition a while ago and it’s an interesting read. There’s some inspiring work, but as is often the case with these kind of collection books, the introduction is far more enlightening than many of the preceding chapters.

What I like about this project is the physical translation of a kind of bureaucracy along with the gesture of exploration through so much of the city under the restrictions of urgency and evacuation. It makes me want to imagine ways for exploring bureaucracies of Windsor.

Tagged: art Boston city context evacuation performance reblog running

By Justin on January 14th, 2010, 12:06 am 0 Comments

It took a while. A little over a week I guess. However, it finally clicked — FAT Labs’ latest project #000000book is starting to make sense to me in terms of how big it could be.

Part of the problem may have been just the early overview of the project that circulated the blogs: #000000book is an open repository for sharing and archiving motion captured graffiti tags. Tags are saved as digital text files known as GML (Graffiti Markup Language), which can be captured through freely available software such as Graffiti Analyisis (marker), DustTag (iPhone), EyeWriter (eye movement) and Laser Tag (laser). Graffiti writers are invited to capture and share their own tags, and computer programmers are invited to create new applications and visualizations of the resulting data.

Robotagger: GML + ABB4400 from Golan Levin on Vimeo.

It just seemed to me, initially, that there would be this collection of tags that had been sort of digitized through an open platform, but I kind of thought, so what? But, I knew that it had to be kind of groundbreaking. Most of the projects that involve this mix of technology and graffiti that I’ve seen come out of GRL or FAT have been very, very cool, in the way that they think about mixing tactics and tools.

#000000book is no exception, as you can see above, Golan Levin hooked up a robotic arm to read from the GML database to reproduce a tag. We are in the future.

[via today and tomorrow]

Tagged: art code context GML graffiti hack robot

By Justin on January 5th, 2010, 12:21 am 2 Comments

If you haven’t already signed up for the Art&Education email list, do it now. Also, make sure you tick off at least the E-Flux list too. It’s nearly always a joy to get these in my inbox, always making me wish I had more time to read, to apply, to attend these exhibitions and schools and conferences that I see advertised on these lists.

Love in a Cemetery is just the most recent interesting thing to come from these lists, with the title taken from a quote by Allan Kaprow that goes like this, “Life in a museum is like making love in a cemetery.” With L.A.-based visual artist Andrea Bowers and curator Robert Sain, students from the Otis College of Art and Design and community organizations from throughout L.A. are participating in this exploration of aesthetics, pedagogy, and cultural politics.

Ok, sounds pretty good, definitely something that we’d generally be interested in, but here’s the really good part…

The project features a unique take on art as examination, as investigation into the future of cultural organizations, including art schools and community-based activist groups in the same learning circle as the better known museums of L.A.

And…

Sain considers the opportunity and obligation for arts organizations to be socially responsible and responsive in an age of diminished resources and uncertainty.

By the way, this is all part of the new residency model that 18th Street is attempting to generate, with this year’s cycle called Status Report: The Creative Economy.

18th Street itself has recently shifted from running a standard gallery program to an entirely different model for using the space — making it active by curating artists involved in process-based work continually. It’s still art, it’s still curated art, but it’s committing to thinking about what art can do or what art can be today.

It’s exciting to read this stuff. You should be excited. It’s exciting because this is part of what we try to do and it’s nice to know that other people like doing this as well.

[via Art&Education]

Tagged: Allan Kaprow art community context exhibition LA questions social practice survey

By Justin on January 4th, 2010, 12:30 am 0 Comments

Though not necessarily an exhaustive list, but definitely worth your perusal and bookmarking, Shawn Moore over at Socialart.com has created a “loose history of art collectives.”

It’s a pretty quick read and helpful to contextualize what we do here at Broken City Lab, as we locate ourselves as a part of this lineage. I’m always wanting to spend more time thinking about the context in which we place ourselves … we’ve had the opportunity to do this in small bursts on a number of occasions (one of my favourites being our trek to New York back in September), but I also think this is where the talk around generating some kind of larger text (dare I say, self-published book) keeps hanging around in the back of my mind.

Ultimately for the sake of thinking through the larger discussion that we continually have around our practice and to counter the limits that this blog format seems to present, I’d love to say that we’ll write a book this year, but don’t hold us to that.

[image of the architecture collective, Ant Farm's Media Burn from Make]

Tagged: art book collective context lists thinking

By Justin on December 29th, 2009, 12:03 am 0 Comments

At any one time there are around 6000 lightning storms happening across the world, amounting to some 16 million storms each year. Such dizzying statistics are useful to hold in mind while experiencing Streetlight Storm, a new artwork by Katie Paterson.

Paterson’s work often deals with the translation of experiences of nature to representations of nature. I quite enjoy projects like this that visualize the complexities of data from the natural world in quiet, simple ways, as previously noted.

Be warned, the music kind of destroys this video. At any rate, for one month on Deal Pier in Kent, during the hours of darkness, the pier lamps will flicker in time with lightning strikes happening live in different parts of the world.

[via PSFK]

Tagged: art context installation light lightning UK