No Experience Necessary – Experiments with Video: Hosted by Momentum Film & Video Collective
Saturday, December 7th from 12-5pm – CIVIC Space (411 Pelissier Street, Windsor)
This workshop, hosted by Windsor’s very own Momentum Film & Video Collective and happening at Broken City Lab’s CIVIC Space, will explore several historical and contemporary concepts and practices of experimental video through screenings, discussions and a hands on video production and editing project. If you’re interested in digital and analog video, this workshop will help you sharpen your skills in visual experimentation and allow you a chance to create with others. We hope to see you there!
Feel free to bring your own camera for shooting & computer for editing.
Presentation / Discussion / Screening
Tech Talk: Digital and Analog Video Capturing / Editing Strategies
Themes / Concepts / Imagery for Experimenting
Shooting & Editing
Present in-workshop Experiments
There is a nominal fee of $10 to attend this workshop.Please pre-register by emailing firstname.lastname@example.org.
Next in the Neighbourhood Spaces (NS) mini-doc series is an interview with John Elliott, Executive Director of Sandwich Teen Action Group (STAG) in Windsor, ON. In this video, John talks about his organization, the importance of face-to-face communication, and community partnerships. STAG is a community-based charitable organization in the west end of Windsor, providing programs and support for at-risk youth. A former school, STAG offers an ideal location for the Centre, which will function as a music classroom, drop-in space and practice area for Neighbourhood Spaces (NS) artist-in-residence Kenneth MacLeod (Windsor).
Throughout his 6 week residency, Kenneth will oversee the project and offer free music instruction and workshops to neighbourhood youth ages 13-20. After the residency, Kenneth aims to continue the centre, creating a permanent space for youth to develop and expand their musical skills and abilities in Windsor.
He will also be at the Windsor Youth Centre (WYC), a drop-in Centre for homeless and at-risk youth ages 13-20 located in Wyandotte Town Centre. Every Wednesday he can be found jamming, teaching and learning with youth at the Centre.
Late last week, two Portland artists–Nicole Lavelle & Sarah Baugh–arrived at CIVIC SPACE in a brown Volkswagen Westfalia camper van to spend a couple weeks exploring Windsor and eventually designing a Windsor Tour Guide publication. They took a few minutes yesterday evening to ask each other questions about what their collaborative project at CIVIC SPACE will entail.
Stay tuned for more announcements about their publication launch, happening April 18th at CIVIC SPACE. ')}
Another instalment of In Store, featuring Lee Rodney discussing her Border Bookmobile project, in the multi-part documentary that our exceptionally talented friend, Daragh Sankey, has been putting together. Here’s his notes on the latest:
Ed. note: Hey, it’s been a while! I did a lot of overtime and also a freelance job and had to prioritize all that cash money work over this project, but I’ve managed to get one more done. This one is about Lee Rodney and her project the Border Bookmobile. There will be two more films after this: one is a mild recut of an earlier short I did, about Andrea Carvalho. The other concerns Leesa Bringas’ Postcards To Indian Road. I have another film coming, about Broken City Lab itself, but it has ballooned in scope and length to encompass events outside of the SRSI residency, so I don’t know if it belongs as part of this series of films. Besides, who knows how long it will take me to finish!
Lee Rodney’s reputation preceded her. She’s a professor at the University of Windsor, and some of the residents of SRSI and Broken City Lab members had been her students, and spoke very highly of her. Sure enough, there were many fascinating things to document during her stay: the bookmobile itself, the tour of Windsor’s forgotten neighbourhoods, and many fascinating conversations, including the one with Justin that forms the backbone of this film.
There are a number of borders crossing through this film. One is the border between Detroit and Windsor, that divides what in many ways should be considered one city. Another is the border between city and suburb. Also there is the border you see in the final shot. Nature borders the city, but not only at the outside edge. It has a way of creeping back in. ')}
There is a whole narrative to Bell Payphone Labs. Laura got into the lab coat for every installation she did, playing the role of the phone scientist. She had a little lab area in the storefronts the whole time as well, with educational posters about her department’s enterprises. I realized I had some assumptions about artists heading into this project: artists worked alone, used their own identities, and were removed from day-to-day life. Like lawyers, or dentists. But over the course of things I realized there were many artist collectives, artists who assumed different identities, and many who engaged with the world in far more interesting ways than I was expecting.
We’re going to start things off with this film that gives a little background. We follow Broken City Lab as they take possession of the storefronts, get them ready for the residencies, and discuss the location and the ideas behind the project. Plus, demon toilet and exploding painting!
So here we go. Next week: disco balls. The week after that: Detroit
Hiba and I took a trip down to the Art Gallery of Windsor (our gracious host and community partner for our upcoming conference) to check out the possibilities for using Livestream to make the conference available to the folks who can’t make it down to Windsor.
Content is Queen is a new generative video painting by Sergio Albiac. Using computer programming language, he modifies the tools a painter would normally use and creates dynamic “paintings” from found video. If you’re having a hard time discerning what the image is, take a few steps back. Now the title makes sense!
Sergio states, “My technique uses regions of video content to effectively represent or “paint” heterogeneous regions of the image. Both the partial content of the videos and the whole image are fully visible at the same time, widening the possibilities to deliver meaning in a contemporary aesthetic language.”
Over three days this week, we got a lot done. And, as I write this, stuff is still getting done. This is why collaboration is such a valuable model for art practice.
But, it’s not just about getting stuff done, it’s the challenges, the insights, the novel perspectives that can be brought up around a table that push the work forward. With some of us having worked together for nearly three years, we can anticipate one another and move ideas and projects that much further along because there’s a context, there’s a history, there’s a resonating understanding of what we can do together.