Hello. We're artists working through collaborative social practice and creative research to understand the ways in which locality is shaped and enacted in the city.

Organized by The Public Access Collective in collaboration with L.O.T. : Experiments in Urban Research (Collective), The Leona Drive Project took six vacant bungalows set for demolition by HYATT HOMES, a developer in Willowdale, Ontario, and turned them into temporary sites for art interventions.

The project is already over, it was up for just the last week of October, but it looks like it was a huge amount of fun, and obviously drew parallels to our own Indian Road. From their site, “While the curators anticipate several sub-themes emerging from the individual artists, the overall problematic for the exhibition is the remarkable shift from the suburbs of old to the suburbs of contemporary Canada, namely the neighborhoods and precincts of the multicultural, but nonetheless parsed state. As such, the project will interrogate what has been lost in terms of the older identities and utopias, domestic, regional and national, and the concomitant transformations around issues of gender, race, class and what was broadly proclaimed as the good life.”

Late last spring, there was some discussion about putting together a proposal for The Leona Drive Project along with some other Windsor artists / thinkers, but we just couldn’t pull our idea into the right context for the project. Our idea involved working in some capacity with the houses on Indian Road. That idea, along with some other recent discussions about the potentials for other installations to occur on a series of vacant lots or the like, might just lead to something doable. Really, there are so many places around the city that could be the centre of an excellent conversation, we need to start addressing them, so be on the look out, or help us track down some landlords (landlords other than the Ambassador Bridge).

Descent to Revolution, and exhibition / residency created by the Bureau for Open Culture, features five international artist collectives and collaboratives that use urban spaces and social spheres as means of production and inspiration. During the course of the exhibition, participating artists visit Columbus in a series of residencies to make projects specific to the city. The work does not take place inside the space of the gallery but in concert with community and physical mediums outside of it.

Contributing to the exhibition is Claire Fontaine, Learning Site, Red76, REINIGUNGSGESELLSCHAFT, and Tercerunquinto, and all will be working within some relation of the city of Columbus and its community.

Pictured above is Audible Dwelling by Learning Site, a combination loudspeaker and dwelling that responds, in part, to the proliferation of abandoned malls, parking lots, and housing in downtown Columbus. Audible Dwelling is situated in a parking lot on CCAD’s campus. During their dates of residency visitors follow the arrows on the floor out the gallery door to visit Audible Dwelling, to experience it by listening and by leaving a story that is eventually projected into public space via loudspeaker.

Will there by time for a road trip to Columbus???

This project is really exciting to see for a number of reasons, maybe the top one being that it’s nearly exactly what I wish we could do… I wish we had the money to do something as large-scale as this, or even money just to pay for materials for projects we’d like to realize through a program like this. For now though, our Micro-Residency project is getting some great submissions, and hopefully we’ll be kicking it off in the next few weeks, and doing a bunch of amazing things for free.

[via Art&Education mailing list]

Our magnetic planters have finally been finished and installed (temporarily) along the alley that runs behind our headquarters. Consider yourself cordially invited to take a planter or two and move them to some other space in the city in need of a micro-garden.

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A few people emailed us about this project (thanks for that!!) and I’ve since seen it on a number of other blogs, so it’s about time I got around to posting it on here. Green Sleeves by AT.AW uses a simple pattern to create planters from the layers of old wheat pasted posters.

The method is great—looking around the city (in this case, Toronto) and understanding the specificities that create opportunities for intervention in the city. The results seem to be a mixed bag, in terms of plants surviving longer than 24 hours; in some cases, the plants are stolen, dry out, or are torn down for more posters.

The project is generating a dialogue and for that it is successful and it may be able to translate better to a city where its illegal postering community is less vigilant.

[via Torontoist]

As part of the Green Corridor‘s Open Corridor festival, Windsor’s Lucy Howe installed a series of wilted road signs, entitled Wilt. The signs themselves reiterate the bend, or wilt, in its respective sign pole and simultaneously comments on some of the many issues surrounding this stretch of road, and the kilometer or so to its north. The signs were originally installed as pictured above, but shortly after their installation, a City of Windsor truck came by to take them down.

Thankfully, the signs were recovered before being carted away and are now installed on the Northeast corner of Huron Church and College.

Howe’s work has an incredibly fun way of intervening with infrastructure and the everyday. All of the work is amazingly labour intensive, but so expertly pulled off that it can make you continually guess at its sincerity in the best way possible. If you’ve been to the AGW lately, you would have seen her work—a drooping chair and melting wall on the second floor as part of the Biennial.

Howe has another work in her archives that I’m hoping she’ll work on again, if the right place can be found. The work involves reshaping a chain link fence’s form and function, how could I not be in love?

We recently decided to demarcate some of many accidental meadows across Windsor with these Naturalized Area signs. In hopes that these signs might momentarily allow residents of Windsor to look at these naturalized spaces for what they are—that is, wonderful additions to our urban landscape—instead of the result of a politically-charged issue, we spent the earlier part of this week designing the signs, getting them printed, drilling holes, and installing them.

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Installed across the road from the University of Windsor‘s Naturalized Area, our sign highlights one of the many wonderful accidental meadows, created by the ongoing city workers strike.

These naturalized areas allow for a moment in which one might be able to mistakenly believe that Windsor is a progressive city, a place where this type of naturalization is encouraged for its beauty, for its potential to attract wildlife, and for the stories our landscape is capable of telling.

With rumours circulating about a potential 30% of the newly naturalized areas across the city remaining in their naturalized states even after the strike is over, there is the potential for being able to believe that there is hope for Windsor.

Designed with the help of Steven and printed exceptionally fast at FastSigns, these signs will pop up over the coming days in other particularly wonderful locations most suitable for advocating the maintenance of their naturalized state.

An random chance to catch up with Laura, Sam, and some other folks I hadn’t seen for a while turned into this quick intervention.

As part of their OH! C.N.A.P. fun, they had made a lot of bunting for another party they had to attend, but it seemed too great to not temporarily put up somewhere in the city. So, in the alley next to Phog, the bunting was quickly strung up with the help of staples (after some difficulties with the wind), and really was an great example of what’s possible with some paper, yarn, and a amazing group of people.

Check out more photos of the process at Laura and Sam‘s flickr sets, or check out Sam’s tutorial on making the bunting, should you be so inclined to take up a similar project.

David Blatherwick‘s Talking Trees was recently installed as part of the Green Corridor’s Open Corridor Festival. A small number of trees along Huron Church, south of College Ave are equipped with outdoor speakers that loop audio of children complaining. Josh played a big part in realizing this project, as he was one of the almost 60 students to take the Green Corridor class during intersession, so if I’m missing any details, I’m sure he’ll fill in the blanks.

Blatherwick, a former member of the Visual Arts faculty at the University of Windsor (he’s now at Waterloo), suggests that these trees have a lot to complain about, being alongside the road that still carries around 10,000 trucks daily to the Ambassador Bridge.

The speakers are loud enough that you can catch bits of it while driving by, but it’s worth a walk-thru to experience not just Talking Trees, but the other works that are part of Open Corridor.

I’ll be posting more on the other works in the coming days.

In Paris, there is a new (guerilla) residency program initiated by Paul Souviron and Antoine Lejolivet through the École Nationale Supérieure des Arts Décoratifs (ENSAD. The residencies consist of spending some time in a DIY megastore and creating temporary installations.

There’s numerous ideas about artist residencies that don’t necessarily take place in the traditional space of galleries or centres, but instead focus on the potential for artists having a role in more everyday places. Schools, landfills, and city halls have been the site for artist residencies, and I have to wonder about the possibilities of artist residencies here in Windsor; and I’m not even that interested in thinking about residencies at the Big 3, Caesars Windsor, or city hall.

What about residencies at the library, at the riverfront, at Walkerville Brewery, at the corner of Randolph and University, at the corner store, at Milk, at the parking garage, at the bridge, or at the bench on Wyandotte near Kildare? And why wait for someone to make one? Why don’t we create a series of residencies? Why don’t you offer your front porch for a week-long artist residency?

Steven’s ideas from last week are looking more and more enticing (and possible).

[via we make money not art]