American artist Alyson Shotz constructed this large-scale picket fence from strips of mirror and placed it in a natural setting as a sort of suggested barrier or delineation of space. The project was a commissioned installation for Storm King Art Center in New York. What intrigues me most is the variety of views that are possible with this installation. From some angles it almost completely disappears, leaving you with the sensation of a photograph with an obscure horizontal smear across the center (like below).
“Peg Mirror comprises 650 circular wooden pieces that are cut on an angle. Casting shadows by twisting and rotating, wooden pegs forming concentric circles surround a small central camera. The mirrored image produced in this work is activated by software authored by Rozin that processes video signals and breaks up imagery geometrically, seemingly pixel by pixel. The silently moving wood components in this piece flicker like jewels or coins in the spotlight, challenging our notions about what constitutes a “digital object”.”
This blew my mind, mostly because of its complexity. Making shadows work as pixels in real time is new to me. I’d love to be a part of a project like this.
Video of the Peg Mirror in action Here.