Agnes Denes: Wheatfield — A Confrontation

Agnes Denes

From Green Museum:

One of the early pioneers of both the environmental art movement and Conceptual art, Agnes Denes brings her wide ranging interests in the physical and social sciences, mathematics, philosophy, linguistics, poetry and music to her delicate drawings, books and monumental artworks around the globe.

In 1982, she carried out what has become one of the best-known environmental art projects when she planted a two-acre field of wheat in a vacant lot in downtown Manhattan. Titled,Wheatfield — A Confrontation, the artwork yielded 1,000 lbs. of wheat in the middle of New York City to comment on “human values and misplaced priorities”. The harvested grain then traveled to 28 cities worldwide in “The International Art Show for the End of World Hunger” and was symbolically planted around the globe.

Imagine turning some the vast wasteland areas in the city (read any vacant big box store parking lot, Brighton Beach, EC Row Expressway) into a wheat field, or a meadow, or maybe more importantly, imagine having a year to make a project at this scale.

[via we make money not art]

Time and Tide Bell

httpv://www.youtube.com/watch?v=xZkf44jysYw

I like public art that does something. I like thinking about architectural works as art and about the potential for viewing city layouts as art and so, I like art that exists as something more than art.

Marcus Vergette‘s Time and Tide Bell is an early-warning system of sorts for the rising tide that will inevitably be the outcome of climate change. The work involves a newly invented bell form, which allows multiple tones to be struck in one structure, so as the tide rises, the bell’s clapper is moved to strike the bell. As the tide rises, the bell will ring more often, but will also become further submerged.

Watching the video above is kind of strange—it shows the first strike of the bell in the water. As people clap and as the bell rings again, it’s strange to think that there is art like this to be made. This bell appears to be the first of other bells that can be installed in other communities, and in some capacity, created with consultation with that community about the inscription on and tone of the bell.

Of course, I’ve now begun to wonder what a public work that would demarcate something very distinct to now, or very distinct to the place we’re heading that could be installed in Windsor. If there was something you could leave for someone to see well into a post-apocalyptic future, what would it be? I think I’d want to say, “I’m sorry.”

1980s desk organizer meets Night on Bald Mountain

renaissancecenter

I don’t know how; I don’t know when, and I don’t even really know why, but I’m determined to one day make or have made a GM Renaissance Center desk organizer.

While trying to find good aerial shots of the complex, I found that the reliable band of volunteer turbo-nerds at the Google Sketchup 3D Warehouse have come through with alarmingly detailed models of both the Ren-Cen and the Ambassador Bridge (sadly, nobody’s taken it upon him or herself to mock up the Casino, though this Renaissance Center in Lego almost makes up for that).

I don’t know what anyone would do with either of those, really, but I find it difficult to believe that there isn’t a 3D printer squirreled away somewhere on campus (perhaps someone working as a sessional instructor could look into that and pull some strings—paging Professor Langlois). In the mean time, here’s everyone’s favorite Brutalist monstrosity done up in Tiggerific Orange.

tiggerific

Our Blog is 1 Year Old

Windsor

A year ago today, the first post was made on BrokenCityLab.org – Broken City Lab is Alive.

Last night, Josh and I went for a walk and we thought, for a moment, we were in a real city. On our walk, we saw that there were people out walking, riding bicycles, enjoying the view alongside meadows and wildflower gardens, the downtown streets were shutdown and open to pedestrians to walk and sit outside of bars and restaurants without the traffic. For a few hours last night, the city didn’t seem quite so broken.

The post that I made a year ago had a picture that, for me, kind of summarized the general sense of the city for a lot of people. I’m not sure that anything has changed, and in all likelihood, things are worse than ever, but last night I had a feeling of hope for the city that I haven’t felt for a while.

Alley Bunting

alley bunting

An random chance to catch up with Laura, Sam, and some other folks I hadn’t seen for a while turned into this quick intervention.

As part of their OH! C.N.A.P. fun, they had made a lot of bunting for another party they had to attend, but it seemed too great to not temporarily put up somewhere in the city. So, in the alley next to Phog, the bunting was quickly strung up with the help of staples (after some difficulties with the wind), and really was an great example of what’s possible with some paper, yarn, and a amazing group of people.

Check out more photos of the process at Laura and Sam‘s flickr sets, or check out Sam’s tutorial on making the bunting, should you be so inclined to take up a similar project.

Rooftop Ideas

pool noodle rooftop

Pool noodles and an empty roof can make for some amazingly bright alternatives to tar.

The rooftop space, designed by INABA will be used for video screenings and community events, with the grouped pool noodles used as modular seating, all of which makes me all the more anxious to imagine all the potentially great alternative uses to the top floor of those three downtown parking garages.

[via Inhabitat]

Working on a Process: Plastic Bag Banners and Such

the banner

Another day spent at 406 Pelissier. Working with these plastic bags is really time consuming, but it will be worth it. The projects we have in mind are taking longer than we may have initially aniticipated, but that’s been the case with everything we’ve ever done.

The banner is growing steadily, but we’re hoping for a final length of somewhere near 18 feet. We’ve also scouted a location, but we’re still working on the message for the banner itself.

Our continuing work with the planters is going well, as we’re about 1/3 of the way to the grand total of planters we’re hoping to make. Also, the test planter is doing well, with some wildflower seeds sprouting already. With the planter being indoors, it has certainly helped to keep the soil moist, but also (and as we had figured long ago), the first and second design iterations of the planters were drying the soil very quickly due to the use of newspapers. With the plastic bags, the soil seems to be holding moisture much better. We’ve been careful to create drainage holes, but we probably need to integrate this into the design more effectively.

Continue reading “Working on a Process: Plastic Bag Banners and Such”

Making Art With Communities

Stephen-Willats

Stephen Willats worked in relation aesthetics when Nicolas Bourriaud was 15. Willats worked has often involved a collaborative process, where he engages with residents of public housing units for projects that can span years.

I’ve been re-reading Conversation Pieces by Grant H. Kester, spending some considerable time on the section about Willats. Kester frames Willats’ work around the processes embedded in the work, which often attempts to examine the potential for his collaborative partners exercising autonomy from the places in which they’re situated.

The problematic of the artist acting in the position that Willats often occupies, that is, in the position of coming into a socially or politically difficult situation from the outside and working to uncover things for the people who have lived those situations for much longer, is something to consider when working within a community as we do. This practice of course forces questions about the artist as a social worker. However, our interaction with a specific community has been somewhat limited (and on purpose). We’ve been able to maintain a level of activity based on our concerns and our experiences, which is empowering, but also potentially limiting, and yet I’m nervous to think about what it would mean to try to work more directly with other communities in the city.

I believe that there is a lot of room to work with communities in Windsor, but my hesitation to attempt to work in this mode of choosing a group to work with, and then creating a project around their concerns (or worse, our preconceived ideas of their concerns) isn’t necessarily relieved by looking at Willats’ work (and not that it has to be). I think his work is worth noting though, as it certainly made possible what it is we’re doing today.

Pictured above, “Around the Networks” by Stephen Willats from January 2002.