As I stumbled on the work of Richard Galpin, I wondered about the possibilities of creating hand-made or photographic experiments with Windsor’s architecture to help understand and interpret Windsor’s architectural setting. I believe that these types of activity could help us design projects involving commentary of our physical surroundings. Here are a few words to describe Richard’s working process.
“Richard Galpin’s complex art works are derived from the artist’s own photographs of chaotic cityscapes. Using only a scalpel Galpin intricately scores and peels away the emulsion from the surface of the photograph to produce a radical revision of the urban form. The artist allows himself no collaging, or additions of any kind – each delicate work is a unique piece made entirely by the erasure of photographic information.”
Free State III
Free State I