Hello. We're artists working through collaborative social practice and creative research to understand the ways in which locality is shaped and enacted in the city.

SRSI, Day 21: Busting Open Payphones

IMG 8367 SRSI, Day 21: Busting Open Payphones

Laura Paolini of Bell Payphone Labs arrived yesterday with a mission to bust open her payphones. We found all the tools and help we needed out on the street. Otherwise, business as usual down on Pelissier, with one week left to go!

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SRSI, Day 20: Garden Party!!!

IMG 0906 SRSI, Day 20: Garden Party!!!

Wednesday was a big day in the SRSI spaces. Lea Bucknell held her Garden Party in 424 unveiling the portraits and stories that she made of Windsor residents, ProClick Factory arrives from Toronto, Thom Provost and Josh Babcock work on some hand-drawn diagrams.

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SRSI, Day 18 & 19: Gambling, Crafts & Plans

DSC 07621 SRSI, Day 18 & 19: Gambling, Crafts & Plans

Josh Babcock starts working on his Invention Solution Hub, Robin Fitzsimons trains hard for her big trip to Caesar’s Windsor, Kids’ crafts are on display in 424 Pelissier, The Department of Unusual Certainties are holding consumer surveys, and Thom Provost talks to the community about his ideas.

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SRSI, Day 14: Field Research, Sweater Vests and Postcards

DSC 0761 SRSI, Day 14: Field Research, Sweater Vests and Postcards

Leesa Bringas’ Postcards to Indian Road project is coming along nicely; some postcards with messages have been returned to her in the mail. Jodi is wrapping up her Sweater Factory with a few completed sweater vests and more to come. BCL Research Fellows Josh and Rosina have been helping the Department of Unusual Certainties with field research, and The Garden Project planters are filling up.

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SRSI, Day 12 &13: Tactics, Presents and Garden Party Plans

DSC 0660 SRSI, Day 12 &13: Tactics, Presents and Garden Party Plans

Lea Bucknell arrived from British Columbia to take over the window display of 424 Pelissier, Andrea Carvalho sent pictures of her last tactics in Windsor from Montreal, and SRSI participants get a surprise gift from a local fan.

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Interrupted Light: Luzinterruptus

luz img9300 Interrupted Light: Luzinterruptus

Luzinterruptus is a Madrid-based light art intervention collective. They’ve done some really large-scale works in streets around the world, this project, Garden for a not too distant future, being one of their most recent.

From their site, “For this installation we used 110 transparent food packaging containers, inside which we put leaves and branches found in the trees in the area and lights of course. Afterwards, we placed them on a wall in an ugly square in the center of Madrid and there we left our form of fashionable vertical garden.”

luz img9302 Interrupted Light: Luzinterruptus

The work critiques the arguably impractical value of vertical gardens in public spaces, with the collective stating, “… if we continue to eradicate it from public spaces or reducing it to inaccessible vertical faces, the only form of contact with nature will be in supermarket refrigerators, packaged with expiry dates.”

I suppose what I find most interesting about their work is the relentless necessity to encounter it at night — and that they insist on working in the context of outdoor space. According to an interview on UrbanArtCore, they head out nearly once a week to create an installation; here’s hoping summer gives us that kind of time.

Photos by Gustavo Sanabria.

[via Designboom]

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Patrick Blanc’s Vertical Garden

Patrick Blanc's Vertical Garden

Projects such as this Vertical Garden seem to be easier and easier to find, which hopefully means that they are becoming realized more often and in more locations. This particular project is a vertical collection of plant life that Patrick Blanc recently completed on a corner of the Athenaeum Hotel in London, England.

According to the project summary located on the hotel’s website, “It’s a fairytale dream of a wall, erupting with trailing tendrils and flowers eight storeys high above Piccadilly’s red buses like a living tapestry. As well as hosting native plants and flowers, way down below beside our Garden Room there’s the world’s biggest collection of non-nettly-looking nettles – or Urticaccae… This humid microclimate is the perfect spot for the more exotic species.”

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A Sign Can Make It Official: Demarcating Windsor’s New Meadows

wildflower garden

Another walk along the riverfront today, this time with Andrew and Barb from Render / DodoLab. Windsor’s meadows are looking incredible, and if this strike ends it’ll be quite disappointing to see so many patches of long grasses and wildflowers cut down.

I can understand that there was a point at which people could have thought that things looked “messy,” but I think we’re well past that now. Windsor is now into a full-on prairie meadow stage and it’s gorgeous.

So, this sign, and this area pictured above, is as the sign says, a Wildflower Garden. It’s official, it was made official by that simple blue sign on a galvanized pole. So, if all it takes is a sign, why don’t we make official some other prime Windsor meadow locations and reclaim some space for “naturalized areas.” I’m going to be on the look out for particularly great locations to formalize as Windsor’s naturalized meadows.

Or if signs aren’t your thing, but you still want to work with these amazingly wondrous meadows, head out with Leesa Bringas at 8am every morning for some grass braiding.

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Window Farms: New Urban Agriculture

window farm

As part of the Eyebeam OpenLab residency program, Rebecca Bray and Britta Riley have been working on a project called, Window Farms. Fashioned out of recycled and/or low-cost materials, the project calls for vertical gardens that use hydroponics to grow beans, tomatoes, and lettuce.

Designed with crowdsourcing and R&DIY (Research & Do-It-Yourself) in mind, the project is not meant to create a one-size fits all product, but rather a framework to further develop and refine the process. If urban agriculture is one the many necessary steps we’ll have to take to create sustainable cities, this is one way in which food production can be managed at a household or neighbourhood scale.

[via Scaledown & Eyebeam]

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Fritz Haeg: Edible Estates

Fritz Haeg- Edible Estates

Frtiz Haeg is a difficult person to write about. That is, he has had some considerable press coverage over the last few years, much of which from the major TV networks casts him in a kind of strange “green” light, and whether he’s described as an artist, architect, gardener, or designer, Fritz Haeg (in practice) seems to dodge all of these titles. He’s not nearly as eloquent as Natalie Jerimijenko (though her Ooz Inc. project and his Animal Estates project are fairly similar), yet he does craft some very exciting language around being a catalyst for community activity, and so while I’ve seen his work in a number of places over the last year or so, I thought it was finally time to post it.

The project that seemed most appropriate to note is his Edible Estates, an ongoing collection of front-yard or community gardens across the US, where he basically directs the tearing up of suburban grass farms to replace them with vegetables and native plants. The image above is from Maplewood, New Jersey.

I’ve seen a few front yards in Windsor and Essex County without grass, but I’d be interested to know where they are specifically, or if there are others hidden throughout the area. Maybe instead of one community garden in Sandwich, we should be pushing for the transformation of all the front yards on a block to be one, big connected garden? Yes, we should.

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Recent Comments

  • Luciana: Justin, that would would be great!!! On the same subject, I always thought the Peace Project from Detroit could be an...
  • Justin Langlois: I agree with you, Luciana … it doesn’t have to be a bad thing at all, I suppose I was thinking about the...
  • Luciana: It doesn’t have to be a bad thing though :) It reminded me of Haas&Hahn and their Favela painting project from 2006...
  • Cristina Naccarato: Such an epic post, Justin! The map turned out very nicely!
  • darren: It’s was back when the star was still printing the paper down there. I miss those days. Was metal letters. I don’t...
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