18th Annual Media City Film Festival

This week, the 18th Annual Media City Film Festival kicks off with a huge range of screenings featuring incredible works from around the globe and just down the street.

We’ll be co-presenting Thursday night’s International Program 3 with our friends at Mayworks, and our own Michelle Soulliere is also on the Media City board, but beyond just being good friends, the festival curates amazing films and a lot of other programming at the Art Gallery of Windsor that’s one of the highlights of the summer here in Windsor.

This year, things kick off with the first public screening of the Super 8mm films created by IAIN BAXTER& from the mid-1960s to the 1970s.

Check out the program, if you’re in the area, you should totally make a point of coming out, or making the trek down!

IN STORE: THE DEPARTMENT

Another installation of In Store by Daragh Sankey covering some of the incredible work that happened as part of our SRSI project a couple of summers ago.

Here’s the overview of this week’s segment on the Department of Unusual Certainties from Daragh:

I basically shared an area with these guys. Like Sara French and of course the Broken City Lab crew, we were all there over the whole month. (I wasn’t actually there the whole time, but came down for the first couple weekends.)

I had to decide in the editing how much of their footage to include – I had quite a lot, because of their long stay and also because of the sheer scale of their ambitions. I had a cut that only concentrated on the speed dating event, but I thought there was a lot of interest that got excluded so I made it what you see now, perhaps sacrificing cohesiveness for scope and … awesomeliness, hopefully.

Here’s a downloadable PDF of the Tip Sheet from the DoUC site.

Vacancy. It’s one of the big challenges for Windsor, as it is for any shrinking city. The downtown has been hit much harder – Windsor is a classic North American “donut city” where suburban expansion and downtown decline go hand in hand. (More on this in an upcoming film.) There are no easy responses, and I hope that my use of end titles will not seem like I’m trying to argue that the Department’s activities in Windsor led directly to a decrease in the vacancy rate. But their recognition that there was a lack of communication amongst store owners, and their tapping into some of the energy that resulted from opening the lines of communication, seemed to be heading in the right direction, at least.

Nothing’s set in stone, but I have probably three more films to go, maybe 4. There’s some really great stuff coming up, so stay tuned!

More Great News: We’re the Recipient of a Windsor Endowment for the Arts Grant!

We’re thrilled to announce this, and very flattered to be in such great local company!!!

Honouring leaders in Windsor’s arts community, the Windsor Endowment for the Arts (WEA) will officially present the WEAs, winners of the WEA Arts Leadership Awards and WEA Arts Grants on Saturday, May 5 at Windsor Music Theatre.  Ten recipients will be honoured including the recipient of the first Elizabeth Havelock Grant in the Arts.

Windsor Endowment for the Arts offers four Emerging Artist Grants to support the professional and creative development of emerging artists. Grants are awarded every second year to successful applicants. Artists who meet the eligibility requirements are invited to apply.

Outstanding nominations, from the public and recognized leaders in the arts culture community identified the seven winners of the WEA Arts Grants. Three arts organizations and four emerging artists will be recognized.

Arts Infrastructure Grants

Community Arts Nancy Johns Gallery & Framing
Performing Arts Chris Rabideau
Visual Arts Media City Film Festival

Emerging Artists Grants

Community Arts Broken City Lab Artist Collective
Literary Arts Kate Hargreaves
Performing Arts Crissi Cochrane
Visual Arts Amy Friend

Elizabeth Havelock Grant in the Arts

Visual Artist Shirley Williams

Huge thanks to Windsor Endowment for the Arts, and to Jennifer Willet and Rod Strickland for the nomination. We’re looking forward to celebrating on Saturday! See you there!

How to Forget the Border Completely, continued: 707PX

Following up on our How to Forget the Border Completely project from last year, collaborator Tom Provost continues to work on ideas around pedestrian border crossings (which you can read all about in the HFBC book!)

Photos and text by Tom Provost


In the summer of 2011, I was in dialogue with Broken City Lab about the idea of forgetting the border… completely! We thought about what could be done at the architectural scale to overcome the enormous divide between Windsor and Detroit. We thought about the possibility of prioritizing pedestrians over industry. We also considered what kind of architectonic could close the gap between the super-human-scale and the individual – a post-industrial dilemma easily visible from the river’s edge. The result was 707PX.

707PX is a speculative project engaging the border cities of Windsor and Detroit in a new entanglement. The geopolitical division acts as an indicator only, a naïve datum. The architecture examines the surreal condition of complete pedestrian dominance with form as an end goal of the process. Ultimately, it is the process that dominates to form a surreal pedestrian condition along the river. The concept became physical after pursuing the connection of past, present, and future incarnations of the river. It began with a map from 1796 that was meticulously traced along both edges, reifying what has now been striated. These new edges were examined as a whole and then as a part. By repeatedly scaling and the slicing them into multiple sections, it quickly revealed an allegiance to an old-world geographic division native to its very own history – the French ribbon farm. The ribbon farms are noticeable on the map from 1796 as they indicate human presence. They are cordoned off plots, extending narrowly and perpendicular to the river. By alluding back to this system, the architecture can interfere with the modern schema at the human scale.

The multiple collections of river’s edge sections are then distributed evenly on their respective sides, in sequential order. The sequence creates tactility close to rippling, with a rhythm clearly visible on both sides. With the border as a datum, both sides dialogue and seesaw at various moments, creating subito and crescendo. The finale occurs when the sequence, thought of as attached to a string, is lifted and becomes conformed to the unique, precise, and mathematical geopolitical division. It should be noted that the 1796 map omits division. The river appears as a singular moving force between bodies of and is left graphically plain. The form of 707PX reifies the singularity of the river by adjoining both cities and entertaining a pedestrian agenda. This investigation answers the question of how one is to forget the border while simultaneously subverting its presence.

Writing Art * A ‘Critical Writing’ Group

 

From an email from Artcite Inc… you should consider doing this!

Urge to write about art? Please check out the NEW…

Writing Art * A ‘Critical Writing’ Group Sponsored by Artcite Inc.

So many artists pass through our city un- or under-sung that a few folks at Artcite thought we might form a group devoted to writing about art in Windsor [and beyond], to exploring, in dialogue and in print, local exhibitions and performances, happenings and openings.

With an eye to broad cultural and political concerns, and to informally developing and refining our skills, some of us thought we might get together to think, reflectively, about art practice and exhibition here in Windsoria, our great, good city.

The form of the group is open, as is its membership, but Artcite hopes that students and practitioners, critics and faculty, lovers and discerners find their way to our only artist-run gallery at 109 University Avenue West on Wednesday, 7 March 2012, at 7pm to start to start to think about thinking and writing about art.


Just to avoid any confusion, BCL isn’t directly involved in this, but I know I’m going to try to show up for this initial meeting!

Monday Night Drift: Volume 1, South Windsor

Armed with an algorithm from Sara, Michelle, Rosina, and I headed out on a walk on Monday night. We had decided at our last meeting to roam around some South Windsor neighbourhoods — seeing as we rarely get a chance to venture into that part of town — and we were surprised by how much familiarity we encountered.

For starters, we began the walk at the site of one of our first installations (not accidentally), but it was still incredible to be at that same spot nearly three years later.

Rosina and Michelle, bundled.

Along the way, we also took note of a variety of spatial activities — things that demarcate or suggest a curious use of the things around us.

The algorithm Sara gave us guided us through a series of things to find (these are documented at the end of the post), but we also improvised in finding other things. Above, the undulations of the chain link cage.

Michelle demonstrates of they’re made.

And, in an especially great moment, the remainders of that installation.

It was really incredible to take a moment and think about the morning we installed the project.

The algorithmic booklet in Rosina’s hands.

After crossing the overpass, Michelle and Rosina look at the neighbourhood.

We begin to document the space — above, a fair representation of the housing stock in the area.

Rosina marks the booklet — the first step, find a site of protest, and we select the installation site of our work.

Shortly after, at the base of the pedestrian ramp for the overpass, we find a portal — the next step. Rosina stakes out the portal, while Michelle heads back up the ramp to send messages.

Michelle sends messages through here.

Rosina listening.

The “portal”, up close. Rosina also reminisces about the area as a site for nearby high school students to congregate. Maybe these used these drainage tubes to send their own messages. Maybe we heard echoes.

We walk around, trying to imagine the construction of these huge spans of free-floating concrete.

We’re amazed in a way.

I was also curious if each light post has its own number, or if this is some kind of other demarcation.

Echoes of covered graffiti, essentially cemented over.

More housing stock, a friend’s place.

In trying to find the next step in our algorithm — a place to change — we all interpreted it as a place to change your clothes (perhaps we were all imagining being on some neighbourhood-wide capture the flag tournament, needing to further camouflage ourselves). We found this large tree.

And then another large tree — these would seem to make the perfect cover.

And then, just to be sure, Michelle suggested something in the streetscape she would like to change. Having biked along this road multiple times, she would love there to be a consistent bike lane.

Far int he other direction, there’s traces of just such a thing.

Then through the school yard at Holy Names.

On the search for something new.

Large tires.

We imagine it must be for giants doing army training.

And then we test ourselves.

Such vast space.

Neighbourhoods border the school.

We find something new in a new neighbourhood.

Then off to find a sanctuary.

At the edge of the parking lot, we wonder what might be in here. At its back corner, there’s some chairs, we consider this someone’s sanctuary.

Around the corner of another building…

…we find some very loose tags, and perhaps something leaking.

And then time.

Then back around to the school. Portables that have long since become permanent fixtures — notice the landscaping.

A break in between portables.

In looking for a place of play, we select an elementary school classroom.

Though we originally marked an interaction with some drivers on their evening commute as the conflict we had to find…

…perhaps this as a site of conflict, with the self ().

 

Rosina taking notes of our second to last step.

We’re east of Dominion at this point, and we continue to explore, beginning to wind our way back to the start.

A pocket of springtime activity.

A garage.

Traces of big bird via Michelle.

Crossing the second overpass as we head back, a really great detail of seemingly improvised repair.

A path that moves pedestrians between backyards and the EC Row retaining wall.

It zig zags to connect corners of south Windsor streets.

And then, a small view onto the EC Row.

Rosina peaks out.

We couldn’t figure out why this would have been designed into the wall — automotive glory hole. (*update: Thanks to Owen for letting us know its to bring fire hoses through the wall in the event of a big accident)

The view from the wall opening.

The path viewing all the way to Dominion from blocks away — made me wonder about how else to formalize shortcuts through in-between spaces.

Cross walk at Dominion, south of EC Row as we wrap up for the evening.

And then, the algorithm with Rosina’s notation.

Thanks to Sara for getting us lost. I’m looking forward to the next one of these. Maybe next week? Who’s in?

Reflections on Circulations

Last Wednesday I hosted an algorithmic walk around downtown Windsor with some University of Windsor Communications Studies and History grad students. The class, led by Drs. Mike Darroch and Rob Nelson, spent about an hour exploring the city, as per the algorithm, in an area between Park and Pelissier and McDougall and Tuscarora. Groups of three spread out throughout the area and stepped through the algorithm in a different order.

The algorithm connected with some readings the class had done on ideas of circulation. It was based on a series of simple suggestions to look for things that disrupt, capitalize, or imagine forms of circulation in the city. At each step in the algorithm, groups had to take a photograph. Below are some images from the walk.

Find an in-between space.

Find an example of urban improvisation.

Find a transaction.

Find a space to occupy.

Find something symbolic.

Dr. Darroch and some of this students on the walk.

Find  an in-between space.

Find something symbolic.

Find an example of urban improvisation.

Find a transaction.

Find a safe place.

Find the heart of the city.

I think this little 8-page booklet format could work well for our upcoming walks. I know we had talked about theming these walks. Any ideas for the first one on the 13th?

 

Circulation: an algorithmic walk in downtown Windsor with students from the University of Windsor

On Wednesday, February 1st, I’ll be guiding an algorithmic walk for Dr. Mike Darroch and Dr. Rob Nelson’s history / communication studies grad seminar. I spent part of the afternoon playing around with some ideas to have the instructions, or algorithms, distributed to the class.

We’ve done walks before, they’ve often been quite ambitious and sprawling. Given the two-hour time slot for the class, I’ve tried to keep this one short enough to finish it within an hour. The class did a range of readings on circulation in the city, so I’m hoping that these instructions will help frame some interesting ways to activate some of the larger ideas in the texts.

I started out with something I figured would be just a 1/4 sheet of 8.5″x11″ paper. Each group of students would start at a different number. I want the students to do the same things, just not all at the same time.

So, then I started thinking about those easy to make foldable books.  I can print off one template and just set the fold different ways to offset the starting instruction. I also decided to put a little fill-in-the-page-number-blank  and a few lines to note the location.

Each group will be instructed to take a photo once they find each of these places / things / situations. At the end, maybe we’ll be able to assemble them into a quick slideshow, or map or something to compare notes, so to speak.

We’ve been talking about doing some fairly regular drifts — maybe this is a good model to work from?

Wellington Ave, Windsor, Ontario

Above, a wall between two houses covered in vinyl siding.

Danielle and I were on our way downtown the other day and we took Wellington after I forgot to turn where I normally do at Partington. There were architectural and infrastructural weirdness that actually had us stop, turn around, and then pull over to take these shots. It also made me anxious to start on the drifts we’ve discussed doing.  More time to explore neighbourhoods slowly would be a lot of fun.

Above, a park that has a bizarrely designed planter (as far as Windsor’s standards go).

And, finally, a house that has this modernist addition on the front of it to feature a large circular wooden accent that actually frames a normal wooden door.