One Woman Workshop: A ResidenZINE by Rosina Riccardo

One Woman Workshop

One Woman Workshop: A ResidenZINE by Rosina Riccardo

Saturday, December 14th to Sunday, December 15th, 2013 – CIVIC Space (411 Pelissier Street, Windsor, Ontario)

A zine is a small edition of self-made, self-published bodies of work made up of text, photos, or found content. Since 2010, Rosina Riccardo has been creating and assembling zines of her own, and most recently hosts Zine Workshop Nights at CIVIC Space on a bi-weekly basis (the next date being Wednesday, December 18th at 7pm).

For a new and upcoming two-day (weekend) residency, Rosina will create content from scratch, which will reflect her time spent observing and interacting with the downtown core. Upon completion, a limited run of the zines will be made available to the public at Civic Space. Stay tuned for more info!

Zine Night Continues this Summer: Wednesdays Biweekly at Civic Space

Zine Night

Zine Night: A Free Biweekly Micro-Publishing Forum, Open to All!

Zine Night, a biweekly micro-publishing workshop series hosted by BCL’s Rosina Riccardo continues throughout the summer. Join us as we cut, paste, tear, discuss, remove, rethink, reshape, bind, print, and share (in no particular order).


Upcoming Dates

June – 5th & 19th

July – 3rd, 17th, & 31st

@ CIVIC SPACE – 411 Pelissier Street, Windsor, Ontario

Zine Drop Off: Digby Vol 1

Arrived at the space and found in the mailbox a copy of DIGBY VOL 1, courtesy of Sean Fox! The zine archives a series of shows at Digby House over the last year or so.

Is this the beginning of a zine archive?! Loved the envelope too.

Rosina has been hosting zine nights every other Wednesday since the summer at CIVIC SPACE, and I can’t wait to get caught up on what they’re producing. In the meantime, thanks to Sean for sending copy #64 to us!

Tom Sachs: Space Program Mars

This one goes to out Rosina and Sara … a look at an incredible zine for an incredibly fun project sponsored by Creative Time, SPACE PROGRAM: MARS. Think DIY aesthetics, playful criticality, and really engaging performative works.

From the project description:

Artist Tom Sachs takes his SPACE PROGRAM to the next level with a four week mission to Mars that recasts the 55,000 square foot Wade Thompson Drill Hall as an immersive space odyssey with an installation of dynamic and meticulously crafted sculptures. Using his signature bricolage technique and simple materials that comprise the daily surrounds of his New York studio, Sachs engineers the component parts of the mission—exploratory vehicles, mission control, launch platforms, suiting stations, special effects, recreational amenities, and Mars landscape—exposing as much the process of their making as the complexities of the culture they reference.SPACE PROGRAM: MARS is a demonstration of all that is necessary for survival, scientific exploration, and colonization in extraterrestrial environs: from food delivery systems and entertainment to agriculture and human waste disposal. Sachs and his studio team of thirteen will man the installation, regularly demonstrating the myriad procedures, rituals, and tasks of their mission.

With the recent shuttering of NASA’s shuttle program and the shifting focus towards privatized space travel, SPACE PROGRAM: MARS takes on timely significance within Sachs’s work, which provokes reflection on the haves and have-nots, utopian follies and dystopian realities, while asking barbed questions of modern creativity that relate to conception, production, consumption, and circulation. SPACE PROGRAM: MARS is organized by Park Avenue Armory and Creative Time and is curated by Creative Time President and Artistic Director Anne Pasternak and Park Avenue Armory Consulting Artistic Director Kristy Edmunds.

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A Toolkit for Saving a City

Though we have a lot more to say about Save the City than I’ll attempt right now, you should know that we put together a toolkit that describes the processes we figured out throughout the last five months. We put together a nice one-page fold up list of instructions, so to speak, for how one might take on similar tactics in (re)discovering their city, neighbourhood, block, or apartment building.

Cristina wrote about the process a while back, and the toolkits turned out really, really, really well. Soon, we’ll be posting a downloadable PDF.

The event last Friday was awesome. We had a really good turn out, we got to talk about and see (really for the first time) everything we’ve been doing so far this year all lined up together. Have we come to any conclusions? I’m not sure, but I know that we’ve begun to articulate some of the questions we’ve had for a long time, a little bit better.

We’re hoping to put together a book by the end of the summer about all of this (and by all of this, I mean Save the City). We need to devote some time to really digging into discussing what the project has been and how it unfolded. In the meantime, we still have some billboard space to fill, expect to see some photos of those in the coming weeks. As well, we still need to put together a map for Sites of Apology / Sites of Hope. So, lots to do, and all while we prepare for the Storefront Residencies for Social Innovation!!!

Broken City Lab: Save the City is generously supported by the Ontario Arts Council.