You are currently browsing the Broken City Lab blog archives for October, 2009.

Earlier This Week In the Basement of BCL HQ

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Monday night was another huge brainstorming session with some new and old friends. We spent most of the evening trying to figure out the potentials in doing something like a floating sculpture in the Detroit River. We’ve discussed this before, and it seems that the space between what we’d really like to do and reality is quite large.

That’s part of the fun though, how do you generate some kind of communication across borders without alerting the authorities, or how do you manage the headaches of going through the proper channels?

At some point we headed down to the basement and looked at a kayak Rod made when he was in grade 8 (pictured above). We wondered if it could act as a potential substrate for one part of the project. Though we talked about projects like the Waterpod Project or Andrea Zittel’s Pocket Property Floating Island project, it became fairly clear that anything we could do in the short-term would need to involve a kind of very limited-duration kind of exchange between Windsor and Detroit.

We also talked about a kind of guided tours of neighbourhoods in Windsor and Detroit (and while these have already been happening), the difference here would be to exchange with a group of folks from Detroit, so that we give them a list or map to see parts of our city, while we get to head across for a neighbourhood level tour of places in Detroit!

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Carol Goodden & Gordon Matta-Clark’s Food

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Carol Goodden and Gordon Matta-Clark opened up Food in New York in the early 1970s on the corner of Prince and Wooster. The restaurant, essentially the first in SoHo, was run by artists and served mostly artists, with the cooking itself becoming a performance of sorts. This transition of the space from a failed Puerto Rican restaurant to Food’s occupation to an alternative space that functioned as and questioned art and the potential in economic models based on something other than profit growth.

Established as a kind of “perpetual dinner party”, the restaurant as an idea was the art, alongside the actual dishes served up, the design, and the performance of cooking. Conceptually that’s important, but what’s really becomes interesting is the idea to open a place that wasn’t founded on profit, and indeed collapsed in some ways because of that. However, certainly that’s not the point.

Creating an idea with a sunset date, or with an acceptance of failure from the start, allows for a focus on the things beyond regular concerns. In the case of Food, artists stood in as guest chefs, inedible food was served, a hub of activity was created, and whether or not it succeeded, and indeed eve the tools with which one could measure the success or lack thereof, became irrelevant.

So, what if the next idea you have came along with a self-imposed sunset date? How would you work differently? What would become a priority and what would fade into the background? Tom’s recent post on the not-for-profit restaurant in Windsor, Namaste, invites similar questions and provides some encouraging answers.

I would be remiss if I didn’t also quickly mention Matta-Clark’s significant architectural interventions, again something deserving of its own post, eventually. His “building cuts” works in some ways paralleled the thinking behind an initiative like Food, in the case of these large-scale architectural works though, the question became, what if walls didn’t matter?

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Pop-Up Education

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Not that it’s something we haven’t talked about before, but GOOD just wrote about yet another iteration of this kind of alternative community pedagogy, this time calling it “pop-up education.”

Basically these ideas work like this: teach something you know to other people in an alternative space. Perhaps a main distinction in the pop-up education idea compared to what we’ve talked about before is that this kind of pedagogical experience should occur during regular wait-times, the brief post gives the example of teaching safety skills while waiting in the DMV.

So, how many times will we write about this before we initiate something? Well, maybe instead of making a list of skills we have and could share, maybe creating a needs-based list would work.

For example, I would love to learn how to cast metal, do basic programming for the iPhone, and get a better general sense of the narrative of the history of the city. What might you want to learn? Want to trade knowledge?

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You Need to Help Plan Windsor’s Cultural Future on Thursday Night

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This is important. If you care at all about what culture in Windsor will look like for the foreseeable future, you need to show up on Thursday night to what likely is going to be one of the last opportunities to voice some input for the City of Windsor’s Cultural Master Plan. It’s this plan that’s going to determine what can and cannot happen at many, many levels across the cultural sector in Windsor for years to come.

The City of Windsor and TCI Management Consultants are hosting an open house for the community on Thursday, October 29, 2009 between 5-9 pm at Mackenzie Hall Cultural Centre located at 3277 Sandwich Street. A short presentation about the master plan will be made at 7 pm. The City is gathering public input to help set a direction for the future of the community’s cultural resources. Everyone is invited to attend this free event.

For slightly more information, you can check out the City of Windsor’s Newsroom.

And the details one more time: (this) Thursday, October 29, 2009 – Mackenzie Hall, 5-9pm.

P.S. That’s the interior of one of Windsor’s “cultural assets,” the Capitol Theatre.

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Something Broken in Montreal

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Evidence that even in a cultural hub like Montreal, some things can still be broken.

We’re back from the Canadian Association of Cultural Studies conference—it was a great success, lots of positive feedback on our presentation, and finally meeting some people we’ve been in touch with over the last six months or so … it’s just a matter now of condensing many names, email addresses, and business cards into one coherent list (or something).

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Light Painting by SWEATSHOPPE

SWEATSHOPPE is a new multimedia performance collaboration between Bruno Levy and Blake Shaw that works at the intersection of art, music and technology. Their project, Light Painting, is pretty slick, using a LED-tipped paint roller along with some custom software and projector to reveal a video projection through painting movements.

[via today and tomorrow]

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Canadian Association of Cultural Studies Conference, McGill University

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Danielle and I will be heading to Montreal to speak at this year’s Canadian Association of Cultural Studies Biannual Conference at McGill University. We’re presenting in the Cultural Production panel under the theme of Social Practice and Public Space.

Our presentation entitled, “Social Practice: New Models for Collaborative Cultural Production,” will frame the city of Windsor and the research and practice of Broken City Lab as a model for collaborative cultural production and an experiment in tactically infiltrating the institutions of the city.

It should be a really great conference with other papers tackling, “Youth Artist Networks and Cultural Policy: Possibilities and Pitfalls” by Miranda Campbell, McGill University, or “The Art of Change? Toward Theorizing Community-based Cultural Production” by Sheryl Peters, York University … things like this are hugely good for getting a really fast overview of what other kinds of research are going on across the country—awesome!!!

(Plus, catching up with long lost friends and seeing Immony’s opening at Videographe are huge bonuses!)

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Nerd Alert: Bildr.org

Bildr.org could be amazing. The idea is to create a visual Web-based library of componentized instruction sets, “building blocks,” for doing various hardware and software constructions. Put a bunch of these components together, and you have all of the instructions you need to execute a multi-part project.

So, that crazy project you’ve always wanted to do but were never sure how to even start it might finally be able to be realized, if Bildr can come together. The thing is, it will require a lot of input from a ton of knowledgeable people. I can’t count the number of times I’ve spent hours on Google trying to find the exact right answer to a problem I’d been having, whether in PHP, Perl, or Max, but it wasn’t always just finding the right answer, it was trying to figure out how to ask the right question.

Something like Bildr could fix that… by allowing you to assemble your own set of instructions from those little modules of instructions, things could be a lot easier. However, in some ways, it still requires you to know exactly what it takes to do what you want to do, and for me this has always been the gap. How do you know what needs to be asked to solve a specific problem?

Bildr is just starting up and looking for expertise, so you if you know how to do some little bit of programming or building or if you have a very specific knowledge subset of LEDs, for example, contact them.

[via Make]

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Extended Field Trip Day 4: Everything is OK

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After four days at our Extended Field Trip #001 in Peterborough at Artspace, we installed our work and presented our research findings  in the main space at the gallery. After nearly 96 hours in the city, we came to realize that everything is ok in Peterborough.

Undoubtedly, we realized this by comparing our experiences in Windsor. Small things such as the fact that the parking meters in Peterborough accept change all the way down to nickels, or larger things such as the incredible number of people who either plan to stay in Peterborough or at least plan to come back eventually, make the city of Peterborough ok.

Though these four days have been only the very first opportunity we’ve had to spend a concentrated amount of time in another city in order to try to engage in some level of research, we felt like we learned a lot. There’s something about the entrepreneurial spirit in Peterborough, at all levels, that has seemed to encourage the right people to stay in the city, and it’s this sense at the very base of everything that we experienced that we need to begin to translate back to Windsor.

This translation, at the very least, will turn into more dialogue with more people back in Windsor. There’s so much to be done here and yet it seems like if more people can be convinced to try to stick it out here, just a little bit longer, that maybe we will be ok too, eventually.

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Extended Field Trip Day 3: Construction

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Day 3 of our Extended Field Trip #001 in Peterborough at Artspace was filled with design, math, and construction. Having decided that the general sense of the city is that “everything is OK,” we moved forward on printing posters and building some text that will be on display for the opening Friday night.

We had many adventures in carpentry today and I think this is just the beginning of working on some more projects of this scale.

The day started with another walk around town to get our posters printed that also read, “Everything is OK.”

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