It would be great if you could come. We’ll be at 350 City Hall Sq West, across the street from Charles Clark Square at 9:30pm. We’ll have a projector and a bunch of bristol board.
We want to look at what public consultation could look like and how we might imagine the changes we want to see in our city.
Quadratura is a new site-specific light installation by Spanish artist Pablo Valbuena. He projected a perspective grid between two rows of columns and onto the wall behind them, thus creating the illusion of an infinite pathway. Pablo reminds us that “Quadratura was the technique used in the baroque to extended architecture through trompe l’oeil and perspective constructions generated with paint or sculpture.” I suggest watching the short video of the installation setup included on his project page as it highlights the degree to which light transforms this space.
Last night Justin, Danielle and I headed over to the Magic Stick to take part in the We Like Music Festival.
Continue reading “Saturday Night in Detroit”
As Michelle mentioned last week, we’re doing a projection inside of The Magic Stick as part of the We Like Music Festival in Detroit this Saturday, September 18.
The organizers of We Like Music invited us to do something — so, we figured we would come up with a great big list of things we love about Detroit and then open it up to additions and have that list projected, line by line, onto the inside of th Magic Stick. We’ll be adding to that list in real-time that night using the magic of Twitter.
There’s a ton of amazing music and we’re truly lucky to be able to work alongside the other visual artists lined up for the evening. It’s going to be fun. See you there!!!
To get tickets, check out http://www.welikemusicfestival.com/tickets/
In what feels like the first time in months, we got together and worked on making something (that is, as opposed to planning something). We’re getting started on what is going to be an epic project, time-wise. We’re making a bunch of large 3D cardboard letters.
Collaborative Apartment Studio is very fun.
Continue reading “A New Project Begins: Cardboard, a projector, and lots of editing”
72 Hours is an audiovisual intervention comprised of a series of video projections evoking the personal histories of neighborhood residents, which will be seen through the building’s windows, and one unit will be opened to the public for a walk-through sound installation that evokes lives of former owners. You can see some of the projections above, as installed in a gallery.
The houses in question, clustered together in the space of a city block, are owned by Deutsche Bank and other international banks. During the Block Rebellion, demands will be made to immediately cease all no-fault post-foreclosure evictions and begin negotiations to sell back the vacant units at real value.
According to the artist, John Hulsey, “the projections serve as injunctions, insertions into contested areas of the city. Transforming private neighborhoods into public arenas for debate, the projections may create spaces in which dialogue can be breached.”
It’s an interesting project, makes me wonder about the possibilities for Grace Hospital — certainly, a different set of issues, but at the very least, this is an interesting example of highlighting contentious spaces.
[via Groundswell Collective]
Thursday night Cristina and I were up in Toronto at Propeller Centre for the Visual Arts, participating in the Christopher Hume curated exhibition, Public Realm.
We did a series of projections with short texts / fill-in-the-blanks that dealt with issues of public and private space, which were generated from the answers to the questionnaires we created, responses on Twitter, and conversations amongst ourselves.
Public Realm is up until January 31st, and there’s documentation of the projections up in the gallery along with a growing collection of our questionnaires with a ton of great answers. If you’re in the neighbourhood, stop by, there’s a lot of great work in the show!!!
After the jump, there’s a photo from all 100 fill-in-the-blanks that we projected.
Continue reading “Talking to Walls: A Conversation About the Public Realm”
On Thursday, January 21st at the Propeller Centre for the Visual Arts in Toronto, we’ll be doing a projection performance that examines the language and ideas surrounding public space, intervention, urban surfaces, and city infrastructures. As part of Propeller’s Public Realm exhibition, we will curate a text-based list of ideas, statements, and questions, that address the concerns embedded in our practice and that appear to be at the heart of the exhibition itself.
We will ask for the participation of those in attendance, along with other momentary collaborators through tools such as Twitter and SMS, for submissions during the duration of the performance. The projection itself will consist of white text and will be projected onto the façade of a nearby building. Photographic documentation of the projection will be installed in the gallery space afterwards.
Public Realm opens on January 20th and runs to January 31st, 2010.
Mario Nanni‘s “La Luce Della Musica” is a visual and musical experience, projected onto the
façade of Milan’s opera Teatro Alla Scala. Nanni used video projections and light to highlight
and compliment the architecture of Giuseppe Piermarini. The precision of all of his projections are extremely impressive. This project made me think back on our 100 Ways to Save the City projection, where we tossed around the idea of projecting animations before we decided on text based messages.
More images of this specific project under the cut, but here’s a video of something similar he did at Arco di Augusto in Rimini.
Continue reading “Mario Nanni’s “La Luce Della Musica””