In Store: Coda

In Store: Coda from Daragh Sankey on Vimeo.

Happy Long Weekend — the final part of the documentary web series on our Storefront Residences for Social Innovation.

From the director’s, Daragh Sankey, description…

This is the final film in the series and posting it makes me feel all sadhappy.

Sad because I have enjoyed doing this project and now its over and feels like saying goodbye to a lot of people I like who I was kind of creepily hanging out with without them being actually there (ok that sounded horrible but editors probably know what I mean). Happy because this has been a truckload of work, and it’s been really hard finding the time to do it, and now after two years I feel a great weight coming off my shoulders. Also, I’m really happy with how these turned out.

I want to thank all the artists who allowed me to film them and their work and make these films. It’s hugely appreciated. I shot many who didn’t appear in the final product, mainly because of time constraints. But I am very thankful of the experience with everyone involved.

Lastly I have to thank Broken City Lab. Without their time, interest, effort, openness and enthusiasm there is no way this would have been possible. I am honoured to have been involved with such a top-notch group of people. Here’s hoping we have poutines at Phog again before too long.

There, and I didn’t even thank my agent or the academy.

This site won’t see too many more updates, although if anything related to the films comes up I will post it here. To be safe, you can check in on my main blog or follow me on Twitter.

A Proposal for Making It Easier to Stay Here: On Economic Development, Tax Policy, and Youth Retention

I sat down with a couple of different people over the last few weeks to discuss the possibility to rethink how we collectively address youth retention in Windsor. It’s an incredibly pressing (and yet somehow invisible) emergency. As a faculty member and collaborator with many recent graduates, it’s a professional and personal challenge to see people move away from Windsor. And yet, it’s so rare that recent grads do stick it out that it’s impossible to imagine how huge of an impact they could have on the city.

And, of course, it also begs the question — why do people move?

The draw of a bigger city, their experiences here in Windsor, and job prospects are all often cited for packing up at the end of an undergraduate degree, and for good reason. These things can weigh heavily on a decision of staying in Windsor after graduation, as the city itself cannot offer much in lieu of them. However, I have to wonder what ‘the thing’ is that might help recent graduates decide not to move away. What about this city might be able to draw people to stay and even bring people back?

It started with cheerleaders. Or more specifically, an idea for a guerrilla cheerleading squad. that went something like this: What if we paid unemployed recent graduates to show up to political events — city council, funding announcements, town hall meetings — to advocate for more resources being put towards youth retention? The guerrilla cheerleading squad would show up, make some noise, and hopefully draw attention to the lack of ambition and absence of real work being put towards keeping young and creative talent in this city.

But, that conversation led to an honest assessment of potential impact. A cheerleading squad might make the paper once, it might draw some attention to the issue, but ultimately, we wouldn’t be arming ourselves to have a conversation about what should be done, or what could be done with some imagination, to address the issue. The long-term impact would evaporate.

So, that led to another conversation. How could we enact a kind of long-term impact towards addressing the lack of initiative put towards youth retention at the regional level? It’s a conversation that I’ve been having for two years (and probably even longer), and yet it feels like the exact same conversation over that entire time.

There’s a reality here in Windsor that always seems to surprise people from away when we tell them about it. First, commercial property taxes are really, really high. But that’s not the surprising part. Second, there’s a lot of vacant commercial spaces and a lot of need for affordable space. But, that’s not surprising either. The third and surprising part is that if you own a commercial property, and it’s vacant, you can fill out a two-page form and get a property tax rebate. So, naturally, there’s little incentive to reduce the rent to reflect the realities of the market and economy here. And in turn, there are few opportunities for a young start-up of any kind to get into a space and get to work doing whatever great thing they might want to do.

Long-term impact will be driven by some radical short-term changes here in the city. These changes need to be developed specifically for Windsor, they should try to solve a couple of parallel problems (but not attempt to solve every problem), and they should be something that might be able to make national headlines. With that in mind, there’s a preliminary plan. It’s early, it’s naive, but it’s going to be further developed and researched. And, it goes something like this:

Instead of a tax rebate just for vacant space, that same rebate should be extended to allow (actually, to encourage) landlords to make their space available free of charge for new businesses, artists, and non-profits operating in their first year and still access the rebate. Businesses, sole proprietors (artists), and non-profits would all register to verify that they were indeed a new startup and they would find the appropriate vacant space and interested landlord — perhaps in collaboration with the area’s BIA. The landlord would fill out a very similar to what already exists two-page form, while noting their request for exemption of the necessity for 100% vacancy for supplying space to one of these startups, and ultimately receive the same tax rebate while supplying vital and incredibly necessary space for young creative people. In the second year of such an arrangement, the startup renting the space could pay a graduated fee (perhaps 50% market value in year 2, 75% market value in year three, and full market value in year four if they could stick it out), or perhaps they would just enter into a normal lease agreement. The bottom line is that the vacant space is filled, there is wealth and job creation, and most importantly, a young creative person sticks it out in the city. And, hopefully, we can tell the world that the city is doing this.

As I noted, research on this is really, really preliminary. There might be a huge number of hurdles or there might already be plans underway to do this, there could be a thousand examples of similar programs elsewhere or it might be a truly unique take on municipal action on youth retention and economic development. We’ll find out as time goes on.

In the meantime, if you have any links, resources, or research to share, please post it in the comments. More soon.

1-Day Project: “Find Something Worthwhile”

We had ordered these screen printing supplies in anticipation of using them for our upcoming Civic Maintenance project, but before we could embark on that large-scale production, we needed to test.

We got process colours cmyk and the basics for screen printing – photo emulsion and photo emulsion remover and two screens.

We haven’t screen printed since last year while we were at Martha Street Studio, and even then we had the luxury of some great technical assistance.

I haven’t shot a screen for a long time, so while the first test was a bit rough (see prints above), the second attempt on Thursday went a little better.

I ran a number of prints and then Rosina took over. Sara and Kevin also got in on the printing at one point!

She made a lot of prints.

Early days in screen printing tests — this detail in particular wasn’t our best work — but the imperfections were working for us.

We printed on a lot of different paper, pulling from magazines and old art periodicals.

Then, we pulled out the window wall that Kevin built a while ago and started to setup the prints as a grid.

I really liked some of the details and textures when things got messy.

Kevin and Rosina tackling the grid.

We ended up having to do some more prints to completely cover the window wall.

And then, the finishing touches of trimming and taping the edges.

And installed! We took down our video installation and Sam’s water-bottle planters to make way for this … sometimes we get impatient … but also, this will make it a lot easier to host the Walk-by Theatre on Mondays.

A closer look at some of the grid. This was an excellent way to spend the afternoon. And, all the better that it was the randomness of being in the space together that made it happen.

Mailbox Prototypes and Organizational Systems for Civic Maintenance

We’re in the preparation stages for an upcoming project called Civic Maintenance. The project will be based around the writing and distributing of a thousand letters (give or take) to residents of Windsor, thanking them for staying in the city, or contributing to it, or somehow having an impact on it, or maybe all of those things. The idea of maintenance (in a ‘civic’ sense, or city sense, maybe) is normally attributed to specific acts on infrastructure and the built environment, towards their preservation in a longer-term. It focuses on an cyclical act, a process that takes significant investment, and most often in a preventative capacity. We think that these kinds of acts could do well to be more closely connected to the people who make up this city, towards preserving a sense of belonging, and investment in this place, and in the largest and most symbolic sense, towards convincing people not to pack up and leave.

These early stages begin with an attempt to narrow down the list of people to receive our letters. Initially, we considered doing a random selection from the phone book, but we soon turned towards a more explicit selection. We still worked from the phone book, but instead started to pull last names that might act as a descriptor for the city, in one way or another. This is still developing, and we’ll be working to translate more last names as well..

Alongside the letter writing itself will be the exhibition design — a way of keeping track and organizing our process. We began to piece together some very crude ‘mailboxes’ from cardstock and cardboard.

And popsicle sticks.

And boxes with coloured paper.

The mailboxes will be attached to the walls and provide a way to organize the letters — perhaps by last name, or sentiment, or geography, or quality of handwriting, or time, or something else.

Intending to embark on an ambitious process to make cardboard mailboxes, we started to put together some templates.

These mailboxes would be not unlike what we might see in a more rural setting.

The form of these mailboxes seemed enticing, as a way to pull things away from being tacked on the walls.

Hiba broke the corrugation to make the cardboard flexible to bend.

She used a pencil.

This gives the cardboard a lot more flexibility, but retains the outside finish.

Rough mailbox design from cardboard.

Two envelopes wide.

More of an exploratory design process than a movement towards any finished idea, this kind of mailbox might work at a smaler scale.

And then, there were these. Simple folder-like design created from 9×12″ cardstock with the edges of pushpins holding it together.

If we’re to make 30 or 40 or 50 of the mailboxes, these basic foldable designs might work best.

They also seem to make the envelopes more accessible in a way — rather than hiding them in the mailbox itself, the sizing of these folder-type mailboxes would make the envelopes more easily legible and would give us an opportunity to look an organization code more readily. That is, we need to figure out not only how to keep track of what letters are sent out, but what kind of data we create based on our last name selection system. We’re not sure where it goes yet, but it’s where we’re at by midweek.

More maintenance soon.

Exploring Urban Ecology with Sam Lefort (a look back at our week of workshops)

It was a quick week, but such an excellent start to our Artist-in-Residence program at CIVIC SPACE. Sam Lefort, bee lover, excellent designer, and most generous workshop host spent the week teaching members of the Windsor-Essex (and beyond) community about a range of sustainably minded practices and interventions, hopefully many of which will be carried on in numerous locations around the region.

We’re already looking forward to bringing Sam back, but in the meantime, here’s a look at the week (and possibly what you missed!)…

Continue reading “Exploring Urban Ecology with Sam Lefort (a look back at our week of workshops)”

The (Nearly Complete) Letter Library Archive

When the Letter Library was up earlier this month at CIVIC SPACE, each participant had the option to borrow a disposable camera from us, photograph their letters, and bring the cameras back. Well, after developing nearly all the cameras (still a few more to come) here is the nearly complete archive of all the photos we received from the project.

Feel free to comment below if any of these photos are yours, and please link us to photos that aren’t up in this archive that you took yourself!

Thanks to everyone who participated in the Letter Library and captioned the city.

Continue reading “The (Nearly Complete) Letter Library Archive”

100 Emergencies for North Bay (Projections in Downtown)

Thursday night, our last night in North Bay as part of our residency, we did a large-scale public projection as a kind of summary of our conversations, and as a bit of a starting point for where we see the exhibition going. Almost next door to the White Water Gallery is this huge blank wall — the perfect surface for projections.

Our old battery is starting to show its age — during a test earlier in the day, we only got about 30 minutes of useable power from it.

Earlier, testing the projector on battery power while compiling a list of emergencies, pulling from Wednesday night’s workshop.

To make up for the lack of available battery power, we ended up stringing together a bunch of extension cords (courtesy of Kathleen) to the White Water.

We had precompiled the list of 100 Emergencies for North Bay, so we used Keynote.

At dusk around 9pm, setting up the projector.

Danielle, tough and ready to guard the gear. We tried to wait out the lingering daylight for a while, as even with our 5200 lumens projector, the distance and sunset weren’t giving us the contrast we had hoped for inititally.

But, shortly thereafter, we begin … a list of 100 emergencies (invented, emerging, or already experienced) that shape North Bay and might articulate a way forward in thinking about the urgent things that shape the city and community.

Rosina documented with a ton of video — can’t wait to see it!

Danielle watched the gear and struck up conversations with passersby — and this is one of the best reasons to do this kind of work — it creates this really great entry point to conversations we wouldn’t have otherwise had.

As the projection wrapped up about an hour later, we did a few improved slides based on some conversations we had with folks passing by.

Our setup from the edge of the parking lot, on the sidewalk in downtown North Bay.

Quick changes / additions in Keynote.

Then turning our focus across the street for a few minutes.

We had a really great week in North Bay and we’re so excited to start working on the exhibition for September. Huge thanks to Clayton, Eric, Robyn and Kathleen at White Water, and to everyone who came out to our walk, workshops, or talked to us during the projection!

Learning About the Emerging Emergencies of North Bay

We’re in North Bay on a residency as we prepare for an exhibition this fall at the White Water Gallery. After spending Monday getting acquainted with the downtown, we ventured further out. Of course, we had to stop at the North Bay arch. Getting a sense of these kinds of structural parts of the city that have, in a way, become shorthand for the entire geography has been helping us to shape the outlines of the exhibition.

Continue reading “Learning About the Emerging Emergencies of North Bay”

IN STORE: NON-PLACE

Another incredible look back at SRSI from 2010, this time featuring Andrea Carvalho‘s work on non-places. Daragh Sankey continues to amaze us with these micro-documents … can’t wait to see what’s next!

Here’s the overview from In Store:

Chappas

We also saw this neighbourhood in The Border – the new-looking houses that Lee’s group explores, right on the edge of the wilderness, are right down the street from the Chappas houses that Simon (of DoUC fame) and Andrea find flowers in.

The area is vacant because the government bought up all the property. (Here is an example document given to landowners) The whole region lies in the path of the Detroit River International Crossing, the government’s new bridge to Detroit, just approved by PM Harper in June. Part of the project is to extend the 401 right to the bridge, so a huge swath of Windsor around Huron Church has been vacant for some time.

The first time I drove into Windsor I drove through this area and the visual impact was powerful. Only later did I hear about the DRIC, and the impact was dulled somewhat: just as on Indian Road (film coming soon!), the houses and stores were sold by the owners for good money, not abandoned due to economic hardship.

Upon further reflection though, there is a different kind of hardship at play. These giant transportation projects, cutting as they do through great swaths of the city, indicate that Windsor is valued more as a place to pass through than a place to live. “Canada’s busiest border crossing” is too powerful a thing; the gardens of Chappas, as they are in its way, cannot hope to stand.

Non-place

Andrea talked about this concept a lot. To quote:

Marc Augé coined the term non-lieux [non-places] to describe specific kinds of spaces, chiefly architectural and technological, designed to be passed through or consumed rather than appropriated, and retaining little or no trace of our engagement with them. These spaces, principally associated with transit and communication, are for Augé the defining characteristics of the contemporary period he calls ‘supermodernity,’ the product and agent of a contemporary crisis in social relations and consequently in the construction of individual identities through such relations.

The parking lot we see at the beginning of this film is a non-place. The vacant lot in which Andrea and Simon placed the flowers was a non-place, but by their action, dropped the non-. Maybe many more actions like that could cumulatively do the same for Windsor as a whole.

Here’s the original Andrea video from SRSI, for what it’s worth: SRSI – Andrea Carvalho.