Sites of Apology / Sites of Hope: the Map

Not exhaustive, nor complete, this map is a work-in-progress, documenting a community in-transition. For one afternoon in February 2010, we gathered together with a group of community members to create two distinct lists: Sites of Apology and Sites of Hope.

The locations identified as part of these two lists were noted as being places for which we, as a community, might need to apologize to future generations, or places for which we might hold some particular hope of their role in creating a better city for future generations.

Over the following weeks and months, we gradually visited every site on the list to (un)officially recognize it, demarcating it with a large ribbon and saying a few words about its designation. We encourage you to make your own visit to these sites.

Thank you to everyone who contributed to the list and had such an incredible and engaged conversation with us that day. This map is long overdue, but we hope it was worth the wait.

You can download the Sites of Apology / Sites of Hope Map (11″x17″).

Continue reading “Sites of Apology / Sites of Hope: the Map”

Listen to the City: an Overview

Back in January, we asked nearly 40 people two questions: Why did you first come to Windsor? and Why are you still here? We asked those questions at an event called, Listen to the City, which was the first part of the five-month long project, Save the City. It was an incredible night.

The answers we got over the hour and a half we spent together at Phog Lounge in downtown Windsor presented not just answers to those two questions, but sprawling conversations about what it means to live in Windsor, how we’ve shaped this city, and how it’s shaped us.

The five-minute edit you can listen to below is just a slice of everything that was talked about that night. Initially, we thought we might be able to cut a lengthier audio documentary together, but there were pragmatic implications that kept us from doing that. Hours of audio with conversations that covered more ground than we could have ever imagined meant that it was a lot more difficult to piece something much larger together.

There were many voices that we unfortunately couldn’t include in the edit below, but only because of the amazing conversations those folks had, which in turn didn’t offer the kind of brief samples similar to those that we cut together. We added some music and tried to capture a general direction of conversation that we gathered from gradually listening to all of the conversations (Danielle took on the considerable task of doing just that and creating the assembly edit of this excerpt– hours and hours and hours of work, but we’re so excited to finally be able to share this).

So, while this excerpt in no way does justice to the range of conversations that we had that night, we hope it might be a good introduction, or a good marker in time, of what a group of 40 Windsorites thought about this city at the start of 2010.

Listen to the five-minute excerpt: (updated – thanks to Stephen Surlin for finessing our mix)

[audio:http://www.brokencitylab.org/audio/ListenToTheCity-20100826-SurlinMix.mp3]

Or you can also download the MP3 of Listen to the City.

For good measure, we can also provide the original recordings in their entirety in a zip file if you’re interested. We make no promises about the audibility/legibility of every minute of these recordings, but if you have the time, they’re worth listening to as a whole. However, the zip file is over 700mb and so not easily uploaded to our servers. However, as promised, we will be officially handing over a copy of the five-minute excerpt and the raw audio files to the Windsor Archives soon.

We need to sincerely thank everyone who came out that night and shared with us.

Broken City Lab: Save the City was generously supported by the Ontario Arts Council.

Trade School: Education Through Barter

OurGoods, an online barter network, is running a pop-up storefront on the Lower East Side of Manhattan. That storefront is called Trade School and it’s a series of classes that centralizes the act of barter and exchange and a pop up classroom in New York City’s Lower East Side.

It works like this: “Take a class every night with a range of specialized teachers in exchange for basic items and services. Secure a spot in a Trade School class by meeting one of the teacher’s barter needs.”

We’ve written about this idea of informal education opportunities and spaces before and it remains a kind of long-term hope to see something like this get started in the area.

So, consider this just another post on the ongoing list of inspirational activities that we’d love to imagine having the time to pull off here in Windsor.

[via Eyebeam & PSFK]

Listen to the City: Discovering the Histories of Windsor through Conversation

Sunday night was the first event of our Save the City project: Listen to the City, and it was incredible!!! We had an amazingly generous crowd of old friends and new faces come out to share their stories of Windsor with us and we recorded close to 8 hours of their hopes, concerns, and personal histories of the city.

We’ll be going through all of this material over the next little while to turn it into an audio documentary that we’ll distribute online, hopefully on some local airwaves, and also through a contribution of the final work to the Windsor Archives. We’re hoping that this documentary will serve as a marker in time that will have captured a very specific kind of conversation happening right now, and maybe happening for the first time. It’s going to be something very special.

We want to thank everyone who came out and participated — this literally could not have been possible without you! There’s a number of photos and some overview of the discussions after the jump of what was our absolute most favourite night of the year so far.

Continue reading “Listen to the City: Discovering the Histories of Windsor through Conversation”

Save the City: an overview

The Save the City project aims to create a concentrated series of positive community-based activities facilitated by Broken City Lab in collaboration with community members. The project will address a number of issues and ideas specific to Windsor, Ontario through various collaborative community-based activities. As Windsor is situated in precarious economic, cultural, and geographic positions, the Save the City project will serve as a much needed injection of positive collaboration, engagement, and dialogue with the city itself and its diverse communities.

The objectives of the Save the City project are to prompt and initiate creative solutions for social change within Windsor through direct connections between emerging artists and community members. Save the City will focus on the process of creative and artistic practice extending into the community and the everyday, selecting and inviting a range of collaborators and participants from within the many communities of the City of Windsor.

The Save the City project will bring together emerging artists and city residents to imagine and prompt creative social engagements and civic activation. Within the project’s series of five activities, the content of each activity will be based on a creative interaction with a part of Windsor’s current and historical social, economic, and regional culture.

Below is the schedule of events (with some details still to be announced):

January 24, 2010 – Listen to the City : Community storytelling workshop to brainstorm, uncover, and share your personal histories of Windsor  (Phog Lounge, 157 University Ave W, 8PM)

February 28, 2010 – Sites of Apology / Sites of Hope : Social Mapping event of the places we need to apologize for and the place we need to care about (362 California Ave, 1PM)

March – Sing to the Streets : A celebratory parade of French history, singing French Folk songs to French Streets (meet at Pelissier and University)

April – Things Worth Saving : Help us to document the thousands of things worth saving in this city, we’ll turn them into free postcards to send out to other cities (362 California Ave)

May – How to Save a City : Community think tank / artist talk / open forum, asking how in the world do you save a place like Windsor (TBA)

Broken City Lab: Save the City is generously supported by the Ontario Arts Council.

Love in a Cemetery: Art as Examination

If you haven’t already signed up for the Art&Education email list, do it now. Also, make sure you tick off at least the E-Flux list too. It’s nearly always a joy to get these in my inbox, always making me wish I had more time to read, to apply, to attend these exhibitions and schools and conferences that I see advertised on these lists.

Love in a Cemetery is just the most recent interesting thing to come from these lists, with the title taken from a quote by Allan Kaprow that goes like this, “Life in a museum is like making love in a cemetery.” With L.A.-based visual artist Andrea Bowers and curator Robert Sain, students from the Otis College of Art and Design and community organizations from throughout L.A. are participating in this exploration of aesthetics, pedagogy, and cultural politics.

Ok, sounds pretty good, definitely something that we’d generally be interested in, but here’s the really good part…

The project features a unique take on art as examination, as investigation into the future of cultural organizations, including art schools and community-based activist groups in the same learning circle as the better known museums of L.A.

And…

Sain considers the opportunity and obligation for arts organizations to be socially responsible and responsive in an age of diminished resources and uncertainty.

By the way, this is all part of the new residency model that 18th Street is attempting to generate, with this year’s cycle called Status Report: The Creative Economy.

18th Street itself has recently shifted from running a standard gallery program to an entirely different model for using the space — making it active by curating artists involved in process-based work continually. It’s still art, it’s still curated art, but it’s committing to thinking about what art can do or what art can be today.

It’s exciting to read this stuff. You should be excited. It’s exciting because this is part of what we try to do and it’s nice to know that other people like doing this as well.

[via Art&Education]

Plasticiens Volants’ “O Estrangeiro”

Parade

In keeping with our ongoing research about creating a Windsor parade, I thought I’d share some photos of Plasticiens Volants‘ “O Estrangeiro” parade in Sao Paulo. This parade, presented by Lost Art, gloriously displayed public art in the form of inflatable plastic floats and gathered thousands of people into the city streets. Besides funding, there aren’t many reasons why we couldn’t pull something like this off (possibly on a smaller scale). There are a few more excellent photos of the parade after the jump.

Continue reading “Plasticiens Volants’ “O Estrangeiro””

The Artist, The Good Neighbour

TheasterGates1

Theaster Gates is an artist, an activist, a community instigator and organizer, a repairman, a homeowner, and a believer in the importance of a neighbourhood. His art practice, which sits somewhere between and amongst all of those titles all at once has led to him buying an old candy store in Chicago’s South Side and beginning to renovate it into a home and a cultural anchor.

TheasterGates2

At the corner of 69th and Dorchester, Gates’ home / workspace became a hub for neighbourhood activity. He says that, “As the neighbors grew more interested, I decided to allow them to assist, when possible and have given classes, workshops, public dinners and even exhibitions in the space. Dorchester has been an informal lab for social and community experiment.”

His decision to stay and work in his city has become a catalyst for other activity, and a reason for other people to stay as well. So, I can’t help but feel that we probably need to find even more ways to turn the BCL HQ into a hub of even more activity before something else in the balance collapses and we lose the space. Maybe we need to have weekly sleepovers?

[via Art21]

Field Report from St.Catharines

street banners

Danielle and I have been in St.Catharines at Brock University working with an Ecopsychology class on a public art project (details to follow in coming week(s). We’re only here for a few days to help get the class started, but it’s been incredibly fun working with a bunch of strangers. We’ve explored the campus and the downtown and what I offer you here is a brief report on our findings.

Above is one of many, many banners on streetlight poles, highlighting a number of community members. It would seem that some iteration of this in Windsor would be a no-brainer—and I know it’s been brought up before in conversations, but new banners and some input on the Christmas-themed light sculptures that adorn our streetlight poles in the winter would be a welcomed change.

community board

The downtown itself is a funny mix—it feels on the verge of being vibrant, but during the summer most places close early or don’t open at all. This is truly a university town, where the students seem to almost entirely drive the economy. There’s a rather large number of vacant storefronts, but there’s a decent mix of shopping and restaurants and bars, with apartments above all of them, to make it seem kind of livable. This community board above in particular caught my eye, again likely a sign of a dead place without students, though remnants of a drunken night are on the other side where a downtown map is under shattered glass.

public art

This is public art in St.Catharines, or rather, what public art from the 1980s looks like on the campus of Brock University. The campus itself is sprawling and hugs the Bruce Trail, which winds itself around the escarpment and a wondrous forest. Though much the architecture is what you’d expect for a small university campus—late 1960s/1970s modernist architecture, with confusing layouts, awful interior paints and a sort of assholish sensibility. It’s a nice enough place, the amount of green space really helps you feel a bit better in general, but I suppose we’re also missing a key ingredient in understanding how the place works on a regular basis, that is, a student body. It was encouraging to find out though that not only does Brock have an 8-month bus pass built into its tuition, but that students think it’s the best $150 they could possibly spend.

Making Art With Communities

Stephen-Willats

Stephen Willats worked in relation aesthetics when Nicolas Bourriaud was 15. Willats worked has often involved a collaborative process, where he engages with residents of public housing units for projects that can span years.

I’ve been re-reading Conversation Pieces by Grant H. Kester, spending some considerable time on the section about Willats. Kester frames Willats’ work around the processes embedded in the work, which often attempts to examine the potential for his collaborative partners exercising autonomy from the places in which they’re situated.

The problematic of the artist acting in the position that Willats often occupies, that is, in the position of coming into a socially or politically difficult situation from the outside and working to uncover things for the people who have lived those situations for much longer, is something to consider when working within a community as we do. This practice of course forces questions about the artist as a social worker. However, our interaction with a specific community has been somewhat limited (and on purpose). We’ve been able to maintain a level of activity based on our concerns and our experiences, which is empowering, but also potentially limiting, and yet I’m nervous to think about what it would mean to try to work more directly with other communities in the city.

I believe that there is a lot of room to work with communities in Windsor, but my hesitation to attempt to work in this mode of choosing a group to work with, and then creating a project around their concerns (or worse, our preconceived ideas of their concerns) isn’t necessarily relieved by looking at Willats’ work (and not that it has to be). I think his work is worth noting though, as it certainly made possible what it is we’re doing today.

Pictured above, “Around the Networks” by Stephen Willats from January 2002.